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Premier Piano Course, Theory 1A: Piano Book

$9.99 USD
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Premier Piano Course, Theory 1A Cover Image

Premier Piano Course, Theory 1A: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 1A

Item: 00-22354

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Description
Correlated page-for-page with the Lesson Book, each new musical concept is reinforced through fun-filled writing, listening and playing exercises. With games and puzzles added to compositional and creative activities, students retain concepts more easily and learn more thoroughly.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-3385-9
ISBN13: 978-0-7390-3385-2
UPC: 038081226392
SKU: 00-22354

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has been composing educational piano music since joining Alfred Music Publishing in 1986, accumulating over 400 published works that have shaped how generations of young pianists learn. His career spans four decades of teaching piano pedagogy at the University of Montana (1972-1996) and later at California State universities, combined with an active performance schedule as soloist, accompanist, and chamber musician. Alexander has earned international recognition as one of the most influential voices in elementary and intermediate piano pedagogy, having served as clinician at numerous state and national music teachers conventions and judge for international competitions.

Beyond his publishing legacy, Alexander maintains deep roots in the music education community through commissioned works, masterclasses, and touring performances across North America and Asia. His pedagogical approach reflects decades of direct classroom experience and his understanding of how young students learn musical concepts most effectively.

Why we love this

This theory book works because it mirrors the Lesson Book page-for-page, eliminating the guesswork of pacing and reinforcement. The combination of writing exercises, puzzles, games, and creative activities transforms concept review from drill work into something students actually want to complete. Your students will retain foundational theory skills faster when they're engaging with the material through multiple modalities.

What to expect

The book balances seriousness with play. Students encounter genuine musical concepts, but the context shifts constantly: one moment they are writing notes, the next they are solving a puzzle or creating their own melody. This rhythm keeps the theory work from feeling like a separate subject and makes it feel like a natural extension of what they are learning to play.

Who it's for

This book is designed for students working through Premier Piano Course Level 1A, whether in group class settings, private lessons, or supervised home practice. Young pianists benefit from the variety of activity types, which maintains engagement while building music literacy alongside their performance work at the keyboard.

How to get the most out of it

  • Complete the exercises in order as they appear in the Lesson Book to maintain alignment with what students are currently learning at the piano.
  • Use the games and puzzles as brain breaks during longer practice sessions; they refresh focus while reinforcing the same concepts.
  • Encourage students to read the compositional and creative prompts aloud before attempting them, so they fully understand what the activity asks them to do.
  • Review completed pages together in lessons to catch misconceptions early and celebrate what students have mastered.

How to use it

Assign pages weekly or bi-weekly according to your Lesson Book pacing. The theory work reinforces what students have just learned in their lessons and gives them ownership of the concepts through hands-on practice. This reduces the burden on lesson time, as much of the reinforcement happens independently between lessons.

Skills your students will build

  • Note identification on the treble staff and keyboard
  • Understanding of rhythm notation and beat organization
  • Recognition and writing of musical symbols and terminology
  • Listening discrimination paired with written response
  • Basic compositional thinking through creative activities
  • Music vocabulary retention through games and puzzle contexts

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