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Premier Piano Course, Sight Reading 1A: Piano Book

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Premier Piano Course, Sight Reading 1A Cover Image

Premier Piano Course, Sight Reading 1A: Piano Book

By Carol Matz and Victoria McArthur

Level: 1A

Item: 00-41040

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Description
Sight-Reading 1A develops sight reading skills through activities that reinforce reading concepts and musicality. There are 14 units correlated with Lesson Book 1A, and each unit contains five activities that emphasize note reading, rhythm, playing without stopping, and playing expressively. These activities build sight-reading skills in a simple, fun way.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-9632-X
ISBN13: 978-0-7390-9632-1
UPC: 038081460611
SKU: 00-41040

More about this title

About the Authors

Carol Matz
Carol Matz is a prolific composer and arranger who has created more than 300 published works for piano students. As an accomplished piano educator, she brings firsthand teaching experience to everything she writes. Her Famous & Fun series, published by Alfred Music, has become widely recognized in music education circles.

Throughout her career, Matz has shared her expertise through piano teaching workshops across the United States, Canada, England, New Zealand, and Australia. Her compositional training comes from the University of Miami, where she studied composition, arranging, and orchestration. Beyond her piano work, she has written for orchestras, jazz big bands, brass quintets, and string quartets.

In addition to her publishing success, Matz has contributed studio arrangements for various recording artists working in Miami-area studios, demonstrating her versatility across multiple musical contexts.
Victoria McArthur
Victoria McArthur recently retired from her position as Program Director of Piano Pedagogy and Coordinator of Group Piano at Florida State University's College of Music, a nationally recognized institution. She holds the Permanent Professional Certificate in Piano and Music Theory from the Music Teachers National Association.

Her scholarly contributions span more than 80 publications, including the widely acclaimed Alfred's Premier Piano Course, co-authored with colleagues. Since 2000, she has served as a Keyboard Editor for Alfred Music Publishing and has contributed articles and reviews to leading music education journals, including a long association with Piano Quarterly. Her research appears in prestigious academic texts such as The Science and Psychology of Music Performance, published by Oxford University Press, where she authored the chapter on sight reading.

McArthur continues her teaching career through McArthur & Musical Associates, a successful piano studio in Tallahassee, Florida, where she instructs students of all ages and ability levels in piano and music theory. In 2006, she traveled to Korea to lead piano workshops for Alfred Music Publishing.

Why we love this

This sight-reading book cuts through the noise by treating every single activity as a chance to read music and make it sound intentional. Rather than drilling note names in isolation, each page asks students to play through without stopping and shape the phrase expressively, which means they're building real musicianship alongside fluency. The 14 units paired directly to Lesson Book 1A make integration effortless; you're reinforcing the exact concepts students are learning in formal lessons rather than introducing new material they're not ready for.

What to expect

Each page feels approachable and unintimidating, designed so students encounter material they can actually read and complete without frustration. The 14 units build gradually, with activities that repeat and reinforce patterns rather than constantly introducing new challenges. There's a lightness to the pacing that keeps young learners engaged without creating anxiety about "getting it right."

Who it's for

This book belongs in the hands of early-elementary piano students working through Premier Piano Course Lesson Book 1A who need daily reinforcement of note reading in a low-pressure format. Teachers will use it to fill practice time with structured material that feels like playing, not drilling. Homeschool instructors and private studio teachers benefit most from its clear correlation to lesson material and the quick wins it delivers.

How to get the most out of it

  • Encourage students to scan the entire line before playing, identifying any patterns or intervals they recognize from recent lessons.
  • Prioritize maintaining tempo and flow over perfection; stopping to correct mistakes breaks the sight-reading habit you're trying to build.
  • Ask students to think about one expressive choice (softer on the second phrase, slightly slower here) before they play, then execute it without pausing.
  • Use the five activities within each unit to track progress; the first few might feel tentative, but by activity five, the same concepts should feel familiar.

How to use it

Assign one unit per week alongside your lesson book work, with students completing one or two activities daily at home. This creates a consistent sight-reading habit without overwhelming practice time. The book works especially well as a bridge between formal lesson instruction and free exploration, giving students a sense of accomplishment and fluency that motivates them to tackle new repertoire independently.

Skills your students will build

  • Reading note names across the treble staff in stepwise and skipped intervals
  • Recognizing and counting basic rhythm patterns (quarter notes, half notes, whole notes, and rests)
  • Playing through short passages without stopping
  • Adding dynamic and tempo expression to simple melodies
  • Building confidence with sight-reading through repeated exposure to familiar concepts

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