Premier Piano Course, Pop and Movie Hits 6 Cover Image

Premier Piano Course, Pop and Movie Hits 6: Piano Book

$8.99 USD
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Premier Piano Course, Pop and Movie Hits 6 Cover Image

Premier Piano Course, Pop and Movie Hits 6: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 6

Item: 00-37616

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Description
Your student's favorite pop and movie hits have been arranged to correlate with Lesson Book 6. Titles: Beauty and the Beast (from Walt Disney's Beauty and the Beast) * Hero * I Got Rhythm * Love Story (Where Do I Begin?) * Theme from "New York, New York" * The Notebook (Main Title) * The Prayer * Sealed with a Kiss * Swinging on a Star (from Going My Way) * The Syncopated Clock * Take Five * Tiger Rag (Hold That Tiger) * What a Wonderful World * You Raise Me Up.

"This series is part of Alfred's Premier Piano Course, designed to provide students familiar music from Disney cartoons, movie hits, jazz and popular songs, while reinforcing concepts introduced in the lesson books . . . incorporate some of these Pop and Movie Hits in your studio teaching. The students will love to practice these familiar tunes to show off to their friends and family!"
- Yiyi Ku, Music Teachers Helper Blog

"These books would be a great supplement to any piano method!"
Jean Ritter, Progressions

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-8183-7
ISBN13: 978-0-7390-8183-9
UPC: 038081422350
SKU: 00-37616

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped music education for decades through his work as a composer, pedagogue, and performer. Since 1986, his collaboration with Alfred Music has produced over 400 publications that span all student levels, earning him recognition as one of the most widely performed educational composers in the world. He directed the piano department at the University of Montana for 24 years before relocating to California, where he taught at Cal State Fullerton and Cal State Northridge while maintaining an active private studio.

Beyond the page, Alexander has established himself as a recitalist and collaborative musician, making his Carnegie Hall debut in 1987 and touring internationally to perform master classes and recitals across Singapore, Hong Kong, Malaysia, Indonesia, South Korea, and India. He has been commissioned by numerous state music teacher associations and was invited to conduct the intermediate-level master class at the MTNA national convention in Atlanta. Based in Albuquerque, he continues to compose and clinician at state and national conventions while remaining a sought-after voice in piano pedagogy.

Why we love this

Students stay engaged when they recognize the music they're playing, and this collection taps into that motivation brilliantly. Each arrangement coordinates seamlessly with Lesson Book 6, so you're reinforcing technical concepts through material your students actually want to practice rather than setting up a choice between "method" and "fun." The mix spans Disney, jazz standards, and contemporary hits, which means there's something to excite every learner in your studio.

What to expect

Playing Beauty and the Beast or "You Raise Me Up" at the piano creates immediate satisfaction; these are songs people know and love, arranged so students can succeed without feeling patronized. The collection balances nostalgic favorites like "Take Five" and "What a Wonderful World" with current movie themes, giving the practice routine a cinematic and jazz-inflected personality that keeps sessions fresh.

Who it's for

Students working through Lesson Book 6 who need motivation to practice and want to play music that matters to them. This book serves teachers who believe that repertoire should reinforce concepts rather than exist separately from them.

How to get the most out of it

  • Identify the rhythmic patterns that align with concepts from Lesson Book 6 before assigning a piece; this reinforces why the technical work matters and helps students see the connection between study material and real music.
  • Record your own performances of a few titles and share them in your studio. Hearing the pieces at full tempo with interpretation gives students a sonic target and demystifies how "simple" arrangements become polished performances.
  • Assign pieces based on repertoire preference rather than strict order through the book. A student who adores a particular title will practice it far more thoroughly, even if it sits next to a piece that doesn't resonate with them.
  • Use these arrangements as recital repertoire earlier than you might otherwise consider. The familiar melodies and moderate technical demands create confidence, and audiences always respond warmly to recognizable material.

How to use it

Feature selections from this book in studio recitals throughout the year, choosing pieces that match the technical achievements your students have reached at any given moment. These titles work especially well as "duet night" repertoire, since most of your Level 6 students will be working from the same book, or as supplemental material when a student wants additional playing time beyond the lesson book without stepping up to a different method series.

Skills your students will build

  • Coordination of melodic and accompaniment textures at the intermediate level
  • Sight-reading of familiar melodies with varied harmonic settings
  • Musical phrasing and interpretation within the technical scope of Level 6
  • Rhythm reading across multiple genres (jazz swing, pop ballads, syncopated figures)
  • Reinforcement of Level 6 technique in a motivating, repertoire-based context

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