Premier Piano Course, Pop and Movie Hits 5 Cover Image

Premier Piano Course, Pop and Movie Hits 5: Piano Book

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Premier Piano Course, Pop and Movie Hits 5 Cover Image

Premier Piano Course, Pop and Movie Hits 5: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 5

Item: 00-37615

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Description
Your student's favorite pop and movie hits have been arranged to correlate with Lesson Book 5. Titles: And All That Jazz (from Chicago) * Anything Goes (from Anything Goes) * At Last * Can You Feel the Love Tonight (from Walt Disney's The Lion King) * Dancing Queen * Don't Stop Believin' * How High the Moon * Maple Leaf Rag * Moondance * Rhapsody in Blue™ * Summertime (from Porgy and Bess) * Take the "A" Train * Under the Sea (from Walt Disney's The Little Mermaid) * The Wind Beneath My Wings.

"This series is part of Alfred's Premier Piano Course, designed to provide students familiar music from Disney cartoons, movie hits, jazz and popular songs, while reinforcing concepts introduced in the lesson books . . . incorporate some of these Pop and Movie Hits in your studio teaching. The students will love to practice these familiar tunes to show off to their friends and family!"
- Yiyi Ku, Music Teachers Helper Blog

"These books would be a great supplement to any piano method!"
Jean Ritter, Progressions

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-8182-9
ISBN13: 978-0-7390-8182-2
UPC: 038081422343
SKU: 00-37615

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped piano pedagogy for decades through his prolific output of educational compositions. Since 1986, his work with Alfred Music has resulted in over 400 published pieces and recordings; his reputation as one of the most widely performed composers of educational piano music spans the globe. He taught piano pedagogy for 24 years at the University of Montana before relocating to California, where he served on the faculties at Cal State Fullerton and Cal State Northridge. Beyond the studio, Alexander has maintained an active performance career as soloist, accompanist, and chamber musician, appearing at Carnegie Recital Hall and collaborating with internationally recognized soloists. He has been a frequent clinician at state and national music teachers conventions and served as president of the Montana State Music Teachers Association.

Alexander's work reflects his deep understanding of how students learn. His arrangements and compositions consistently bridge the gap between technique-building and genuine musical enjoyment. He has received commissions from numerous organizations and state associations, and in 2014 was invited to judge an international piano competition in India. His touring schedule has taken him throughout Southeast Asia and East Asia, where he has conducted master classes and recitals.

Why we love this

This collection tackles a real teaching challenge: students at Level 5 recognize these titles instantly and want to play them, yet most published arrangements are either too easy or aimed at much older players. These arrangements respect the level's technical demands while preserving the distinctive character of each song, so students experience genuine achievement rather than dumbed-down versions of songs they love. The mix of jazz standards, Disney classics, and pop hits gives you flexibility to match your student's tastes and motivation.

What to expect

Opening this book feels like a door to the wider musical world. "Under the Sea" sparkles with Caribbean warmth; "Can You Feel the Love Tonight" breathes with orchestral grandeur reduced to two hands; "Don't Stop Believin'" pulses with the energy students recognize from stadiums and school dances. Jazz standards like "Rhapsody in Blue" and "Take the 'A' Train" introduce sophisticated harmonic movement without requiring advanced technique. Every piece sounds complete and musically satisfying, not like a study in disguise.

Who it's for

Level 5 piano students who are motivated by recognizable melodies and want to play songs they hear in movies, on the radio, and in their favorite shows. This book pairs directly with Lesson Book 5 in the Premier Piano Course, making it ideal for students progressing through the curriculum who need engaging reinforcement material. Both recreational and more serious students benefit, since the arrangement quality maintains musical integrity across all 14 pieces.

How to get the most out of it

  • Isolate the syncopated rhythms in pieces like "Don't Stop Believin'" and "Dancing Queen" by clapping or tapping them separately before adding hand coordination; these rhythmic cells repeat throughout, so locking them in early pays off.
  • Listen to recorded versions of the original songs together before or during lessons to establish the intended groove and tempo; students often play these pieces too slowly when learning solely from the page.
  • Mark harmonic changes in pencil for pieces like "Moondance" and "At Last" so the student understands how chord progressions support the melody and can anticipate what's coming next.
  • Balance the melody with accompanying lines in jazz pieces like "Take the 'A' Train" and "How High the Moon" so neither hand dominates; this develops independence and keeps the arrangement from sounding one-dimensional.

How to use it

Assign these pieces as incentive repertoire throughout the Level 5 year, rotating them to match holidays or student interests (Disney songs in autumn, jazz standards in winter concert season). They're perfect for studio recitals where parents and peers gather, since the titles generate immediate recognition and enthusiasm. Pairing a Level 5 Pop and Movie Hit with a piece from the lesson book on the same recital program shows how one book reinforces the other and gives students a performance outlet for both technical study and enjoyable playing.

Skills your students will build

  • Reading and executing syncopated rhythms in pop and jazz contexts
  • Understanding jazz harmony and chord progressions through familiar melodies
  • Balancing melody and accompaniment across both hands
  • Playing with stylistic awareness (jazz swing, pop groove, classical elegance)
  • Sight-reading across a variety of musical genres and textures

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