Premier Piano Course, Pop and Movie Hits 2A Cover Image

Premier Piano Course, Pop and Movie Hits 2A: Piano Book

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Premier Piano Course, Pop and Movie Hits 2A Cover Image

Premier Piano Course, Pop and Movie Hits 2A: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 2A

Item: 00-34415

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Description
Favorite pop and movie hits have been arranged to correlate with the concepts presented in Lesson Book 2A. Optional duet parts for teacher or parent add harmonic richness to the solo parts of selected titles. 12 attractive arrangements include: Beauty and the Beast (from Walt Disney's Beauty and the Beast) * Catch a Falling Star * The Chicken Dance * Chim Chim Cher-ee * Happy Birthday to You * Heigh-Ho (from Snow White and the Seven Dwarfs) * It's My Party * James Bond Theme * The Lion Sleeps Tonight * (We're Gonna) Rock Around the Clock * Star Wars (Main Theme) * Wipe Out.

"I am happy to see that this book of 12 pop and movie hits has been added to the already excellent course of study! . . . Your students will be excited to play these pieces!"
- The Progressions

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-6689-7
ISBN13: 978-0-7390-6689-8
UPC: 038081382159
SKU: 00-34415

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped music education for decades through his work with Alfred Music Publishing, beginning in 1986. His catalog exceeds 400 publications and recordings, establishing him as one of the most widely performed composers of educational piano repertoire across all levels. He served as piano pedagogy faculty at the University of Montana for 24 years before relocating to California, where he taught at Cal State Fullerton and Cal State Northridge. Beyond the studio and classroom, Alexander maintains an active schedule as a recitalist, collaborative artist with chamber groups and soloists, and clinician at state and national music teachers conventions.

A native of Kansas and alumnus of the University of Kansas, Alexander has earned commissions from numerous organizations and has been invited to conduct master classes and judge competitions internationally. His performance activities have taken him throughout Asia, where he has led workshops and recitals in Singapore, Hong Kong, Malaysia, Indonesia, and South Korea. He currently resides in Albuquerque, New Mexico, where he continues composing and touring.

Why we love this

This collection hits the sweet spot between genuine appeal and solid pedagogical alignment. Students at the 2A level respond immediately to movie themes and pop standards, which means motivation isn't an afterthought here—it's built into every selection. The optional duet parts transform what could be a solo assignment into a collaborative experience, giving you flexibility to reinforce concepts with harmonic support or challenge advancing students to carry the piece independently.

What to expect

Opening this book feels like permission to have fun with piano study. The arrangements honor the original melodies while staying faithful to what early intermediate hands can manage, so there's no sense that students are playing 'watered-down' versions. From the playful bounce of 'The Chicken Dance' to the dramatic swagger of the James Bond Theme, each piece carries its own personality.

Who it's for

This book is designed for piano students working through the Premier Piano Course at the 2A level who benefit from material that connects directly to their daily lessons. Teachers seeking repertoire that bridges the gap between method instruction and genuine musical engagement will find 12 immediately rewarding options that students actually want to play.

How to get the most out of it

  • Explore the duet parts with your most engaged students or use them as parent engagement tools during recitals; the harmonic context helps developing pianists hear where their melody sits in the larger musical picture.
  • Balance tempo against technical security on pieces like 'Star Wars' and 'Wipe Out,' which students often want to rush; a steady practice tempo that allows clean articulation will pay off in performance.
  • Assign these pieces strategically within your lesson sequence to reinforce whatever hand position, rhythmic pattern, or interval concept you're introducing in Lesson Book 2A that week.

How to use it

Slot these pieces into recitals and studio showcases where you want the audience to recognize and enjoy the music immediately. They work equally well as supplementary solo repertoire during the level 2A curriculum or as performance material for students who are ready to perform outside the method book but not yet exploring the broader 2B and 3A repertoire.

Skills your students will build

  • Reading within the staff and between ledger lines as introduced in Lesson Book 2A
  • Maintaining steady tempo across phrase structures in contemporary and familiar melodies
  • Executing hand position changes for melodies that span multiple octaves
  • Collaborating with a partner when performing the optional duet parts
  • Connecting written notation to recognizable melodic content

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