Premier Piano Course, Pop and Movie Hits 1A Cover Image

Premier Piano Course, Pop and Movie Hits 1A: Piano Book

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Premier Piano Course, Pop and Movie Hits 1A Cover Image

Premier Piano Course, Pop and Movie Hits 1A: Piano Book

By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier

Level: 1A

Item: 00-34015

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Description
Favorite pop and movie hits have been arranged to correlate with the concepts presented in Lesson Book 1A. Optional duet parts for teacher or parent add harmonic richness to the solo parts. 11 attractive arrangements include: Annie's Song * Bye, Bye Blackbird * It's a Small World * Mickey Mouse March * The Rose * Scooby Doo, Where Are You? * This Is It! * This Land Is Your Land * The Trolley Song * Up Where We Belong * Whistle While You Work.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-6495-9
ISBN13: 978-0-7390-6495-5
UPC: 038081376820
SKU: 00-34015

More about this title

About the Author: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped piano pedagogy for decades through his work with Alfred Music Publishing, beginning in 1986. Over 400 of his compositions and recordings have established him as one of the most widely performed educational piano composers worldwide. He taught piano pedagogy at the University of Montana for 24 years before relocating to California, where he served on the faculties at Cal State Fullerton and Cal State Northridge. A University of Kansas graduate and student of Richard Reber, Alexander has maintained an active schedule as a soloist, accompanist, and chamber musician throughout his career.

Beyond his compositions, Alexander's influence extends through his work as a clinician at state and national music teachers conventions and as a judge for international piano competitions. He has performed recitals and conducted workshops across Asia, including appearances in Singapore, Hong Kong, Malaysia, Indonesia, and South Korea. His versatility spans collaborative work with internationally recognized soloists and chamber groups, as well as commissioned compositions for numerous music organizations. Alexander currently resides in Albuquerque, New Mexico, where he continues composing and touring.

Why we love this

These arrangements hit the sweet spot for early piano students: recognizable melodies that motivate practice, technical writing that reinforces Level 1A concepts without feeling like busy work, and optional duet parts that transform solo practice into genuine ensemble music. Teachers appreciate that the duets add harmonic context and offer built-in opportunities for teacher-student collaboration without requiring additional scores.

What to expect

Familiar melodies presented with care and simplicity. Each piece feels achievable, never condescending, with the optional duet parts adding richness that reminds students why they love these songs. The collection balances film and pop standards with timeless children's music, creating moments of genuine musicality at a beginning level.

Who it's for

Students working through Premier Piano Course Level 1A who thrive on playing recognizable music. These arrangements work equally well for students in their first year or two of piano study, whether in private lessons, group classes, or self-directed practice.

How to get the most out of it

  • Prepare the duet part yourself before the student learns the solo, so you can play it through and hear how the arrangement supports the melody.
  • Keep tempo steady and unhurried; these pieces benefit from clarity over speed, especially when featuring quarter-note melodies.
  • Listen for moments where the student's part rests or simplifies; use those breaths to reinforce phrasing and musical shape rather than treating them as empty space.
  • When performing as a duet, sit at the piano so the student can see your hands occasionally; this helps them understand how the accompaniment sits alongside their melody.

How to use it

Assign these pieces as supplementary repertoire throughout the year as students complete corresponding lessons in Book 1A, creating natural performance opportunities at informal studio recitals or family gatherings. The duet potential also makes them ideal for studio performances where teachers and students perform together, giving students confidence and an audience that resonates with the familiar material.

Skills your students will build

  • Reading simple melodic lines in treble clef with minimal leger lines
  • Playing within a narrow hand position (correlating to Level 1A concepts)
  • Maintaining steady tempo with and without accompaniment
  • Understanding phrasing and musical shape within short, contained melodies
  • Ensemble awareness through optional duet participation

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