Premier Piano Course, Performance 2A: Piano
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier
Level: 2A
Item: 00-PB-0000955
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Description
The audio for this book is also available for download here
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Sample Audio
01 Saturday Blues (performance tempo)
Sample Video
Additional Details
More about this title
About the Composer: Dennis Alexander

Dennis Alexander has shaped music education for decades through prolific composition. Since joining Alfred Music Publishing in 1986, he has created over 400 publications and recordings that have established him as one of the most widely performed composers of educational piano repertoire globally. His teaching career spanned 24 years at the University of Montana, where he directed the piano department and taught applied piano, class piano, and piano pedagogy. He later taught at Cal State Fullerton and Cal State Northridge before settling in Albuquerque, New Mexico.
Beyond the studio and classroom, Alexander has maintained an active performance schedule as a soloist, accompanist, and chamber musician. He made his Carnegie Recital Hall debut in 1987 and has served as a collaborative artist for internationally recognized musicians. A former president of the Montana State Music Teachers Association, he remains a sought-after clinician at state and national conventions and has been invited to adjudicate competitions and conduct masterclasses internationally. His compositions have been commissioned by numerous organizations, and his work continues to define the standard for accessible, musical piano literature at all levels.
Why we love this
This collection bridges the gap between structured technique and genuine musicality at the early intermediate level. The variety of styles and the inclusion of charming lyrics gives students real incentive to engage with each piece beyond mechanical repetition, while the dual-tempo audio recordings model phrasing and interpretation without dictating it. You'll find that pieces written by such accomplished educators translate immediately into successful student performances and concerts.
What to expect
These pieces sparkle with accessibility without ever feeling condescending. Each one offers a moment of genuine artistry—whether playful, lyrical, or gently exploratory—that respects the student's developing musicianship while remaining firmly within their technical reach.
Who it's for
This book serves students in their second year of study who are ready for pieces with modest harmonic variety and rhythmic interest but still thrive with clear structure and achievable technical demands. It works equally well in private studios and group settings where students need repertoire that builds confidence through musical success.
How to get the most out of it
- Listen to the performance tempo recording first to hear the piece in context, then use the slower practice tempo to work through technical passages without rushing interpretation.
- Explore the character suggested by the piece title and any lyrics before diving into notes; this emotional foundation makes practice sessions more purposeful and performances more communicative.
- Pay attention to dynamic markings and articulation indications as guides to phrasing rather than isolated technical instructions; they reveal the composer's intention for how the music should breathe.
How to use it
Pieces from this collection shine in studio recitals, school assemblies, and informal performance settings where clarity and charm matter more than technical display. The variety of styles makes it easy to program contrasting pieces back-to-back, building a recital with real shape and personality.
Skills your students will build
- Playing with consistent rhythm while managing both melody and accompaniment
- Recognizing and responding to dynamic and articulation markings
- Interpreting character and phrasing from titles, lyrics, and musical markings
- Reading notation in both treble and bass clefs with greater fluency
- Performing with musicality and expression at an age-appropriate level