Premier Piano Course, Duet 6 Cover Image

Premier Piano Course, Duet 6: Piano Book

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Premier Piano Course, Duet 6 Cover Image

Premier Piano Course, Duet 6: Piano Book

Ed. Gayle Kowalchyk and E. L. Lancaster

Level: 6

Item: 00-44626

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Description
Alfred's Premier Piano Course: Duet Book 6 includes motivational music that reinforces concepts introduced in Lesson Book 6. These duets for one piano, four hands continue the strong pedagogical focus of the course while providing the enjoyment of playing with a friend or family member. Written by America's leading pedagogical composers, these duets contain equally leveled parts for secondo and primo. Within each duet, melodic material is shared between the parts. Styles and forms include jazz, ragtime, pieces in Romantic and Contemporary styles, and an arrangement of the famous Canon in D of Johann Pachelbel. Titles: Baltic Dance (Wynn-Anne Rossi) * Canon in D (Arr. Carol Matz) * Changing Times (Robert D. Vandall) * Friday Night Jazz (Melody Bober) * The Great Expanse (Tom Gerou) * Reflections in the Waves (Mike Springer) * Romance in A-flat Major (Dennis Alexander) * Wildflower Rag (Martha Mier). A Federation Festivals 2020-2024 selection. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Premier Piano Course, Duet 6: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Piano Course
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-2648-9
ISBN13: 978-1-4706-2648-8
UPC: 038081505442
SKU: 00-44626

More about this title

About the Creator

Alfred's Premier Piano Course draws on the combined expertise of America's most respected piano pedagogues. The duet collection features compositions and arrangements from Wynn-Anne Rossi, Robert D. Vandall, Melody Bober, Tom Gerou, Mike Springer, Dennis Alexander, Martha Mier, and Carol Matz, each contributing pieces that balance musical substance with developmental appropriateness.

These composers understand what intermediate pianists need: repertoire that sounds polished and genuinely musical while reinforcing technique introduced in the lesson book. Their work across this duet collection spans multiple styles and idioms, ensuring students encounter jazz grooves, ragtime syncopation, Romantic lyricism, and contemporary sonorities all within a single book.

Why we love this

This collection strikes the balance every Level 6 teacher needs: reinforcement without repetition. The composers have written pieces that feel genuinely satisfying to play rather than like exercises in disguise, and the equally leveled parts mean both students stay engaged and neither one is stuck with filler. The genre variety (jazz, ragtime, Romantic, Contemporary) keeps students curious about what comes next.

What to expect

This collection spans moods with ease: the energy of "Friday Night Jazz" and "Wildflower Rag" contrasts beautifully with the reflective quality of "Reflections in the Waves" and "Romance in A-flat Major." Pachelbel's Canon, arranged here for four hands, arrives as a moment of recognition and beauty, while pieces like "The Great Expanse" and "Baltic Dance" introduce students to the colors that open up at this level of the course.

Who it's for

Students completing Level 6 of the Premier Piano Course who are ready to experience the reward of playing real music with a friend or family member. These duets appeal to students who respond well to guided exploration of different styles and forms, and who benefit from the accountability that ensemble playing brings.

How to get the most out of it

  • Balance the melodic material as it passes between primo and secondo. Mark in your score where each hand takes the lead, and remind students that "accompanying" doesn't mean playing softer.
  • In the jazz and ragtime pieces, establish a steady tempo in a brief practice run-through before beginning. These styles depend on rhythmic confidence, and a wavering pulse undermines the fun.
  • Use the equally leveled parts as an opportunity to swap roles in a second pass-through. Students build different skills hearing the piece from a new position, and it reinforces how the parts relate to each other.
  • Draw attention to the shared melodic material in rehearsal. Understanding where themes migrate between hands helps students listen more actively and prepares them for more complex score reading ahead.

How to use it

Feature one or two duets on a studio recital where you pair students of similar ability; the shared melodic material and equal difficulty levels make for confident, polished performances. The stylistic range also allows you to program a duet across different parts of a larger concert, using them to shift mood or tempo without needing to pause for page turns or instrument changes.

Skills your students will build

  • Reading and performing four-hand ensemble parts with independent rhythmic and melodic content
  • Coordinating tempo and phrasing with a partner across shared musical material
  • Playing in multiple styles: jazz swing, ragtime, Romantic lyricism, and contemporary idioms
  • Balancing ensemble sound between primo and secondo voices
  • Recognizing and performing Romantic and Contemporary compositional forms

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