Premier Piano Course, Christmas 2A: Piano
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier
Level: 2A
Item: 00-PB-0001067
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About the Composer: Dennis Alexander

Dennis Alexander has shaped music education for decades through his prolific output of piano repertoire. Since joining Alfred Music Publishing in 1986, he has composed and arranged over 400 works that span all student levels, earning international recognition for his ability to write engaging, pedagogically sound pieces. He earned his degree from the University of Kansas and spent 24 years teaching piano pedagogy at the University of Montana, where he also chaired the piano department. Alexander later taught at Cal State Fullerton and Cal State Northridge before settling in Albuquerque, where he continues an active composing career.
Beyond the page, Alexander has built a distinguished performance history as a soloist, accompanist, and chamber musician. He made his Carnegie Recital Hall debut in 1987 and has collaborated with internationally recognized soloists. A former president of the Montana State Music Teachers Association, he remains a sought-after clinician at state and national conventions. His work has been commissioned by numerous organizations, and he has conducted master classes and judged competitions across the globe, including tours through Asia and performances in Singapore, Hong Kong, Malaysia, Indonesia, and South Korea.
Why we love this
Alexander and his collaborators have curated a collection of recognizable holiday melodies that feel fresh rather than recycled. Every piece aligns with 2A concepts, meaning your students reinforce technique they're actively learning without feeling the disconnect between their lesson work and performance music. The inclusion of teacher duet parts transforms solo practice into genuine musical partnership, which young pianists find motivating and memory-forming.
What to expect
These arrangements radiate warmth without saccharine sentimentality. The familiar melodies land immediately with families and peers, but the piano writing avoids condescension; students navigate real musical decisions about pedal, dynamics, and phrasing within a framework that feels manageable.
Who it's for
This book serves early elementary pianists (roughly ages 6-8) who have completed or are completing 2A-level technique and theory. It works equally well for group lessons, studio recitals, and school holiday assemblies where students need accessible material that feels sophisticated to family audiences.
How to get the most out of it
- Prepare the teacher accompaniments in advance so students hear the full harmonic and rhythmic context before performing alone; this clarifies phrasing and helps them understand where their melody sits in the larger musical picture.
- Work through pieces that appear in the corresponding Lesson Book alongside their holiday versions to show students how the same technical challenges show up across different musical contexts.
- Stagger the introduction of pieces across December rather than cramming them all at once; spacing rehearsal prevents fatigue and keeps the holiday season feeling celebratory rather than rushed.
- Encourage students to listen to recordings of the original sources (The Nutcracker Suite, traditional carols) so they develop interpretive choices rather than defaulting to mechanical reading.
How to use it
Slot these pieces into October and November rehearsal schedules so they're polished by early December without competing with year-end recital preparation. They anchor winter concerts and holiday assemblies because both pianist and audience connect instantly with the material, freeing you to feature a mix of classical and contemporary pieces without tonal imbalance.
Skills your students will build
- Playing pieces with teacher accompaniments and learning to listen to another part while performing their own
- Transferring technique from lesson materials to performance repertoire with different harmonic and rhythmic contexts
- Sustaining accurate rhythm and phrasing across recognizable melodies without over-relying on memorization
- Reading and interpreting dynamic and tempo markings in an accessible but musically complete arrangement
- Developing pedal awareness and hand position management across pieces with varied technical demands within the 2A level