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Preludes for Worship: Praise and Worship: Piano Book

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Preludes for Worship: Praise and Worship Cover Image

Preludes for Worship: Praise and Worship: Piano Book

Piano Arrangements for the Opening of Worship Services

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-47913

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Description
The Worship Essentials series offers a valuable resource for church pianists that includes collections with accessible piano arrangements specifically for preludes, offertories, and postludes. This book includes selections of contemporary Christian hits appropriate for prelude music. Titles: 10,000 Reasons (Bless the Lord) (Matt Redman) * Come As You Are (Crowder) * Come, Now Is the Time to Worship (Brian Doerksen) * Glorious Day (Living He Loved Me) (Casting Crowns) * Good Good Father (Chris Tomlin) * Here I Am to Worship (Light of the World) (Tim Hughes) * Hosanna (Praise Is Rising) (Paul Baloche) * How Deep the Father's Love for Us (Stuart Townend) * How Great Is Our God (Chris Tomlin) * Jesus Messiah (Chris Tomlin) * Revelation Song (Jennie Lee Riddle) * You're Worthy of My Praise (David Ruis).

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Additional Details
Series: Worship Essentials
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-4215-8
ISBN13: 978-1-4706-4215-0
UPC: 038081549255
SKU: 00-47913

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear at age four in northwestern Pennsylvania and later formalized her training at the Warren Conservatory of Music before earning her B.S. in Music Education from SUNY Fredonia. She taught vocal music in upstate New York and worked as an instructor for Yamaha Music School internationally, bringing both pedagogical insight and performance experience to her work.

A visit to her songwriter brother John W. Thompson in Nashville led to a position writing piano transcriptions, launching her into a decades-long career as an arranger. She has created more than four hundred solo piano collections and joined Alfred Publishing as an author in 2010. Church musicians and students consistently turn to her arrangements for their craftsmanship, accessibility, and suitability across traditional, blended, and contemporary worship settings. Her harmonic and rhythmic choices reimagine well-known melodies in fresh ways while remaining true to her core mission: creating resources that serve pianists at every level.

Why we love this

These arrangements strike the rare balance between being genuinely playable and musically substantive. Tornquist knows exactly how much harmonic color and rhythmic interest a late intermediate pianist can handle without losing the intimacy that prelude music demands, so each piece stays focused and singable rather than cluttered. The selection itself covers the essential contemporary worship standards your congregation will recognize, making this collection an immediate fit for Sunday mornings.

What to expect

These arrangements feel neither classical nor purely pop, but genuinely contemporary. The harmonic language draws from both traditions, creating warmth and sophistication that honors the devotional intention of worship while respecting the melodic beauty of songs congregations know by heart. Each piece invites quiet contemplation rather than demanding attention.

Who it's for

Church pianists serving in contemporary or blended worship settings who need reliable, well-crafted arrangements of current Christian hits for preludes and service transitions. Late intermediate and early advanced pianists will find these pieces accessible without being condescending, allowing them to focus on musicianship rather than technical survival.

How to get the most out of it

  • Listen closely to the harmonic rhythm in each arrangement. Tornquist often shifts chords in ways that feel fresh but still grounded; respect the timing of those changes rather than rushing ahead to the next melodic phrase.
  • Pay attention to dynamics and articulation markings as written. These details shape the meditative quality that makes a prelude effective and distinguish each piece from generic background music.
  • Use the time signatures and tempo indications to establish a consistent pulse before the service begins. A settled, confident opening sets the spiritual tone far better than hesitant noodling.

How to use it

Program individual selections as service preludes, offertories, or postludes throughout the year as your worship calendar aligns with their themes and moods. Several pieces work well as interludes between congregational singing or as accompaniment during prayer and response moments, giving your pianist a curated collection that feels intentional rather than improvised.

Skills your students will build

  • Reading and interpreting contemporary harmonic language with jazz and pop influences
  • Balancing melodic line with accompaniment texture in worship contexts
  • Executing rhythmic precision in syncopated and off-beat patterns
  • Maintaining rhythmic stability and groove without metronomic rigidity
  • Adapting technique to intimate, meditative dynamic levels across extended passages

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