Prélude No. 4 in E minor for Piano Cover Image

Prélude No. 4 in E minor for Piano: Piano (Solo)

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Prélude No. 4 in E minor for Piano Cover Image
Prélude No. 4 in E minor for Piano: Piano (Solo)

Prélude No. 4 in E minor for Piano: Piano (Solo)

By Fryderyk Chopin / Masterclass by Daniel Grimwood

Item: 98-EP73153
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Description

more than the score… is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy, right up to John Cage. Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music – beyond the printed score.

All titles in the Edition Peters more than the score… series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler.

more than the score… draws on material released on Tido Music, a revolutionary web resource and iPad app.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-57-701472-2
ISBN13: 979-0-57-701472-2
SKU: 98-EP73153

More about this title

About the Composer: Fryderyk Chopin

Fryderyk Chopin (1810, 1849) transformed the piano into an instrument of intimate expression, writing almost exclusively for solo piano and establishing himself as one of the most influential composers in the instrument's history. His music balanced technical brilliance with deep emotional introspection, and his innovations in harmony, rubato, and pedal technique became foundational to modern piano playing. Chopin's Preludes remain essential repertoire for students and professionals alike, offering both immediate accessibility and inexhaustible depth.

Why we love this

The Prélude No. 4 in E minor stands apart for its stark harmonic language and the way Chopin manages to sustain emotional gravity within just a few pages. The masterclass materials in this Edition Peters edition illuminate choices that might otherwise feel impenetrable on first reading, making this edition valuable for teachers guiding students through one of the Romantic era's most affecting miniatures.

What to expect

Austere and meditative, with a haunting quality that emerges from sparse textures and chromatic voice leading. The piece never reaches for drama; instead, it draws the listener inward through harmonic tension and the uneasy balance between resignation and yearning.

Who it's for

Intermediate to advanced pianists seeking depth beyond the surface of a familiar Chopin prelude, and teachers who want their students to understand not just how to play the notes but why Chopin wrote them this way. The included masterclass materials make this especially valuable for self-directed learners.

How to get the most out of it

  • Establish the left hand's arpeggiated chords as the emotional anchor before bringing forward the delicate right-hand melody; resist the urge to highlight the melody at the expense of harmonic context.
  • Experiment with pedal changes that color the harmonic shifts rather than blurring them; Chopin's harmony is too purposeful to hide under sustained resonance.
  • Shape the phrases according to natural breathing patterns rather than symmetrical phrase lengths; the piece's power lies in its asymmetry and restraint.

How to use it

Include this alongside works of similar introspection and brevity, whether from Chopin's own Prelude cycle or from contemporary minimalist writing, to create a program segment focused on how composers convey profound emotion within constraint. It also works as a meaningful solo encore that demands attention without requiring virtuosic display.

Skills your students will build

  • Chromatic voice leading and harmonic function in Romantic-era harmony
  • Pedal technique for coloring harmony without muddying texture
  • Rubato and phrasing in miniature forms
  • Interpreting written masterclass material to inform performance choices

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