Prelude and Fugue in C BWV 846 for Piano Cover Image

Prelude and Fugue in C BWV 846 for Piano: Piano (Solo)

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Prelude and Fugue in C BWV 846 for Piano Cover Image

Prelude and Fugue in C BWV 846 for Piano: Piano (Solo)

By Johann Sebastian Bach / Masterclass by Daniel Grimwood

Item: 98-EP73151

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Description

more than the score… is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy, right up to John Cage. Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music – beyond the printed score.

All titles in the Edition Peters more than the score… series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler.

more than the score… draws on material released on Tido Music, a revolutionary web resource and iPad app.

Prelude and Fugue in C BWV 846 for Piano: Piano (Solo) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-57-701470-6
ISBN13: 979-0-57-701470-8
SKU: 98-EP73151

More about this title

About the Composer: Johann Sebastian Bach

Johann Sebastian Bach (1685, 1750) stands as the architectural genius of Baroque music, a composer whose systematic exploration of harmonic language and contrapuntal technique shaped centuries of music that followed. His ability to construct intricate musical logic while maintaining profound emotional depth made him indispensable to music education; teachers have long turned to his works as the clearest path into understanding how music actually works.

Why we love this

This is the gateway piece where Bach's architectural mind becomes visible. The prelude's flowing figuration draws the ear forward while establishing harmonic territory, and the fugue that follows unveils the same material rebuilt as pure counterpoint. Students grasp something fundamental here: how a single idea can generate an entire work through logic and craft rather than repetition.

What to expect

The prelude unfolds like water finding its path, gentle but purposeful. When the fugue arrives, that same material crystallizes into hard counterpoint, revealing the skeleton beneath the flow. There is clarity and inevitability throughout, the satisfaction of watching a musical argument develop exactly as it must.

Who it's for

Pianists working through the Well-Tempered Clavier or building a Bach foundation will find this edition essential. The accompanying masterclass material makes it valuable for teachers explaining prelude-and-fugue architecture to students encountering Bach's keyboard works for the first time.

How to get the most out of it

  • Shape the prelude's sixteenth-note figuration as a single gesture rather than counting individual notes; the hand position and weight distribution matter more than mechanical precision.
  • Identify the three independent voices in the fugue before you touch the keys, then voice the subject's entries so each one reads clearly without sacrificing legato.
  • Resist the urge to slow down at the fugue's final measures; the harmonic movement actually pulls toward the resolution, and a steady tempo heightens the sense of inevitability.

How to use it

Open a piano recital with this pairing to establish the evening's intellectual rigor. Use it in a teaching studio or masterclass as a springboard for discussing how a simple harmonic progression can become the foundation for two entirely different compositional approaches.

Skills your students will build

  • Voice leading across multiple independent lines
  • Harmonic analysis in functional tonality
  • Sustaining linear melody against accompanimental figuration
  • Subject identification and fugal structure
  • Baroque touch and articulation appropriate to keyboard style
  • Sight-reading fluency in the Baroque idiom

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