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Pre-Reading Book of Favorites: Piano Book

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Pre-Reading Book of Favorites Cover Image

Pre-Reading Book of Favorites: Piano Book

40 Arrangements for Beginning Pianists

Arr. Gayle Kowalchyk and E. L. Lancaster

Level: Early Elementary

Item: 00-38961

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Description
This big book of pre-reading solos includes favorite folk songs, classical arrangements, hymns, Christmas carols and patriotic songs. Melodies for the pieces are divided between the hands. All pieces include an optional duet part for parents or the teacher. If students are unfamiliar with the rhythmic notation, the rhythms can be quickly leaned by rote. Students can begin to play favorites after only a few weeks of study.

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Additional Details
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-8662-6
ISBN13: 978-0-7390-8662-9
UPC: 038081432779
SKU: 00-38961

More about this title

About the Arranger: Gayle Kowalchyk

Gayle Kowalchyk

Dr. Gayle Kowalchyk has shaped piano pedagogy across three decades through teaching, research, and publishing. She earned degrees in piano performance from Ohio University and Northwestern University, followed by an Ed.D. in piano pedagogy from Teachers College, Columbia University. Her academic career has included faculty positions at Eastern Illinois University (where she directed the piano preparatory program), Oklahoma Baptist University, the University of Oklahoma, and currently California State University, Northridge, where she teaches class piano, applied piano, and piano pedagogy.

Kowalchyk is widely recognized for her contributions to music education publishing. In collaboration with her husband, E. L. Lancaster, she has authored more than 300 educational piano books, including the Alfred's Premier Piano Course and Music for Little Mozarts series. A sought-after clinician and adjudicator, she has presented at national conferences of the Music Teachers National Association, Music Educators National Conference, and multiple international piano pedagogy forums. Her work reflects a deep commitment to making piano accessible and engaging for learners of all ages.

Why we love this

Students grasp real melodies immediately because the arrangements split the melody between both hands, creating immediate engagement without requiring advanced reading skills. The collection acknowledges what resonates with young pianists: familiar tunes they already know or want to know, which builds confidence and motivation far faster than abstract exercises. The optional duet part transforms practice into a social experience, whether with a parent, teacher, or peer.

What to expect

Familiar and approachable, like discovering that music they already love is suddenly something they can play. The arrangements feel natural, not simplified, because the melodies remain true to their original character while the hand division creates genuine musicality rather than awkward compromises. There is immediate satisfaction in performing recognizable pieces after minimal preparation.

Who it's for

Young pianists in their first few weeks or months of study who benefit from learning through recognizable melodies rather than abstract patterns. This book is especially valuable for students who need concrete, meaningful material to sustain practice motivation and demonstrate rapid progress. Teachers seeking an accessible entry point to hand independence and reading multiple melodic lines will find it practical and efficient.

How to get the most out of it

  • Allow students to learn rhythms by ear before drilling notation. Sing or play the entire piece first so students internalize the melody as a whole before worrying about symbols.
  • Have the student play the melody part while you play the duet accompaniment. This removes the pressure of reading two staves simultaneously and keeps focus on hand independence.
  • Repeat each piece often. Familiar melodies reward repetition with improved phrasing, dynamics, and expression rather than feeling like drill work.
  • Point out patterns in the hand division. If the left hand has the same rhythm in measures 1 and 3, naming that pattern builds both security and sight-reading confidence for future pieces.

How to use it

Use these arrangements as performance material for early student recitals, where families immediately recognize the melodies and young pianists experience the confidence of playing something meaningful. Assign pieces from this collection to fill the gap between learning basic technique and reading traditional method book exercises, allowing concurrent skill building and repertoire enjoyment. The duet options make individual pieces ideal for family engagement events or informal studio gatherings.

Skills your students will build

  • Reading and executing melodic lines split between right and left hands
  • Establishing hand independence and coordination
  • Recognizing rhythmic patterns within familiar melodies
  • Developing musical phrasing through known melodic contours
  • Transitioning from rote learning to symbol recognition at the student's own pace

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