Prayer of the Children: Timpani Sheet Music Preview

Prayer of the Children: Timpani: Choral Octavo Digital SoundPax

Words and music by Kurt Bestor / arr. Mark Hayes

Item: 00-PC-0016658_TMP

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$5.00
Description
This moving anthem of hope has been embraced by choirs around the world for years, and now Alfred Music is proud to present this new arrangement with piano or orchestra accompaniment. Lush choral writing and an inspired instrumentation treat the important piece with reverence and respect. At the very end, two measures sung in Croatian remind us that the prayer is intended for the whole world.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Prayer of the Children: Timpani: Choral Octavo Digital SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
SKU: 00-PC-0016658_TMP
Instrumentation: SoundPax

More about this title

About the Composer: Kurt Bestor

Kurt Bestor is a composer and recording artist whose work spans film, television, and concert music. His compositions are known for their emotional directness and accessibility, qualities that have made his music a staple in choral and instrumental settings worldwide. Prayer of the Children stands among his most performed pieces, having resonated with choirs seeking repertoire that combines musical substance with universal humanitarian themes.

Why we love this

Mark Hayes's arrangement honors the emotional core of Bestor's original while expanding the piece's sonic palette with lush choral writing and carefully considered accompaniment options. The final two measures in Croatian ground this prayer firmly in its global context, making a powerful statement about inclusivity that feels integrated rather than appended. Directors appreciate how the piece demands genuine musicality from singers without excessive technical demands, allowing the message to land clearly.

What to expect

The writing creates an atmosphere of quiet dignity and gentle urgency. Lush harmonic movement supports a melody that feels both contemporary and timeless, building toward moments of greater intensity before settling into a reflective close. The final Croatian text introduces a moment of cultural specificity that shifts the piece from personal prayer to global plea.

Who it's for

This octavo works for intermediate to advanced choirs of mixed voices seeking concert or festival repertoire with emotional depth and programming significance. Community choirs, church choirs, and high school and college ensembles all perform this piece regularly. The availability of accompaniment options (piano or orchestra) makes it flexible across different performance contexts.

How to get the most out of it

  • Balance the choir's lush harmonies against the piano or orchestra accompaniment; the singing should never feel buried beneath instrumental texture.
  • Shape the final Croatian measures with particular attention to diction and emotional weight, treating them as the culmination rather than an afterthought.
  • Use the recorded accompaniment for rehearsals to establish the tempo and feel early, then transition to live accompaniment to refine ensemble cohesion.
  • Consider how your choir's tone quality shifts across the range of the piece; sustained passages at the top of the range often benefit from lighter vibrato and focused vowels.

How to use it

This works powerfully as a second-half anchor in a concert featuring mixed sacred and secular works, or as the centerpiece of a program exploring themes of hope and compassion. Festival judges consistently respond well to the combination of musical craftsmanship and meaningful text. Consider pairing it with other contemporary sacred works or a cappella pieces to create a thematic arc.

Skills your students will build

  • Sustaining long phrases with consistent breath support and tone quality
  • Blending lush four-part harmonies and resolving dissonance
  • Shaping climactic moments through dynamic control and text inflection
  • Pronouncing and singing text in Croatian with appropriate clarity and respect

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