Praise The Lord On This Glorious Day Sheet Music Preview

Praise The Lord On This Glorious Day: SATB Choral Octavo

By Don Besig

Item: 35-DS00164126

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00164126

More about this title

About the Composer: Don Besig

Don Besig

Don Besig spent 31 years directing music in public schools across western New York, building award-winning concert choirs and show choirs that performed regularly at festivals, competitions, and community settings. His work spans every grade level and ability, from middle school singers to adult church ensembles. He currently serves as director of music at Perinton Presbyterian Church in Fairport, NY.

Besig's prolific output reflects a deep understanding of what singers actually need. With over 350 published compositions and arrangements and more than 15 million copies sold worldwide, his music consistently serves both student and volunteer choirs. His work has earned multiple ASCAP Special Awards, and he remains active as a guest conductor and clinician, having led workshops and festivals across 40 states and Canada. He holds a degree from Ithaca College and maintains membership in ACDA, MENC, NYSSMA, and ASCAP.

Why we love this

Besig writes with the rhythms of real rehearsal life in mind. This is music that sounds expansive and celebratory without requiring hours of sectional work or a technically advanced ensemble, making it ideal for mixed-ability choirs that need something uplifting and performance-ready within a reasonable timeframe.

What to expect

Bright and affirmative, with the warm glow of a celebratory hymn. The writing emphasizes joy and forward motion without sacrificing depth, creating a piece that feels both contemporary and rooted in choral tradition.

Who it's for

Mixed choirs seeking meaningful sacred repertoire that works for both church services and concert settings. The accessible voicing and straightforward musical language make it equally at home with a church volunteer choir or a high school or community ensemble.

How to get the most out of it

  • Balance the parts carefully during the opening so no single voice dominates the harmonic foundation; this allows the melodic line to emerge naturally without extra effort.
  • Give the text full weight in rehearsals. Besig's settings follow the natural speech patterns of the lyrics, so attention to diction and phrase shape will reveal the musical architecture.
  • Build dynamic contrast gradually rather than jumping between extremes. The piece benefits from a sense of building joy that feels earned by the singers.

How to use it

Pair this with other spirituals or contemporary sacred works on a concert celebrating faith and community. It also works beautifully as a closing piece on programs that need an uplifting final statement, or as part of a church service that calls for something more musically developed than a congregational hymn.

Skills your students will build

  • Singing SATB voice parts with accurate harmonic awareness
  • Phrasing and expression within accessible melodic material
  • Balancing ensemble sound across four parts
  • Connecting text and music in sacred settings

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