Praise The Lord Of Everything Sheet Music Preview

Praise The Lord Of Everything: Unison, 2-Part Treble Choral Octavo

By Tracey Craig McKibben and Stephanie S. Taylor

Item: 35-DS01133576

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS01133576

More about this title

Why we love this

McKibben and Taylor have crafted a text that works both as genuine praise and as a natural fit for young singers. The unison writing means every voice carries the melody with clarity, while the optional 2-part treble divisi sections give directors flexibility to expand texture without complexity.

What to expect

Celebratory and accessible. The unison writing keeps everyone together in joy, while the textural shifts create moments of musical growth that feel earned rather than imposed. It's music that sings itself.

Who it's for

Elementary and middle school choirs, youth church choirs, and festival ensembles looking for unison repertoire that honors young voices while offering optional divisi for more experienced singers. This works equally well for volunteer and school programs.

How to get the most out of it

  • Establish a solid pulse in the unison passages before introducing the 2-part sections. Young singers anchor to a strong rhythmic foundation, and this will make the divisi moments feel organic rather than fractured.
  • Shape the phrasing by thinking in complete sentences rather than measure lines. The text carries weight here, so encourage singers to breathe where the words naturally resolve.
  • Balance any accompaniment so it sits behind the voices. A children's choir's blend is still developing, and they need to hear themselves clearly.

How to use it

Anchor a program celebrating gratitude or faith with this piece as a strong closer. Eight pages allows for thoughtful rehearsal preparation without derailing your schedule, making it ideal for festivals or spring concerts where you need something meaningful that won't consume weeks of sectional time.

Skills your students will build

  • Reading and sustaining unison lines with independence
  • Executing divisi splits with blend and balance
  • Connecting text to musical phrasing
  • Building ensemble confidence in sacred repertoire

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