Praise, My Soul, The King Of Heaven (arr. Duane Funderburk) Sheet Music Preview

Praise, My Soul, The King Of Heaven (arr. Duane Funderburk): SATB Choral Octavo

By John Goss / By Henry Lyte

Item: 35-DS00450667

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00450667

More about this title

About the Composer: John Goss

John Goss (1800-1880) was a British organist and composer whose sacred music became central to Victorian church repertoire. His hymn tunes combined strong harmonic writing with memorable melodic lines, establishing a model for congregational singing that endures in churches worldwide.

Why we love this

Funderburk's arrangement takes a beloved hymn and opens it up for choir without abandoning its hymnic integrity. The ten-page score suggests room for musical development and rich harmonic exploration while keeping the text at the center, making this a genuine chorale treatment rather than a superficial setting.

What to expect

Majestic yet intimate, this setting honors the contemplative reverence of the text while allowing your singers moments of genuine musical expression. The harmonic language feels accessible but never simplistic, grounded in the dignity of the tune while adding new dimensions that reward careful listening.

Who it's for

This arrangement serves choirs seeking substantial hymn-based repertoire that moves beyond unison or simple four-part writing. It works for volunteer church choirs, school choral programs, and community ensembles with intermediate sight-reading skills.

How to get the most out of it

  • Balance the harmonic voices so inner parts (alto and tenor) remain audible through full passages; these lines carry essential movement that drives the arrangement forward.
  • Shape phrases around the text's theological arc rather than mechanical 8-bar segments; let the declaration 'Praise, my soul' breathe differently from expressions of gratitude that follow.
  • Support younger or less experienced singers by rehearsing each section separately before blend work; SATB settings of familiar hymns often expose individual voice insecurity.

How to use it

Program this for services centered on thanksgiving, blessing, or celebration of faith. It pairs well with Scripture readings about praise or gratitude, and its ten-page length makes it substantial enough to anchor a sacred concert alongside shorter works or congregational hymns.

Skills your students will build

  • sustained legit tone production across longer phrases
  • reading four-part harmony with independent voice lines
  • ensemble balance when inner voices carry thematic material
  • interpretive phrasing in a hymn-based context
  • blending sopranos with alto in parallel motion

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