Praise, My Soul, The King of Heaven: Choral Instrumental Pak
As performed by Henry F. Lyte / As performed by William Rowlands / Arranged by Tom Fettke
Item: 35-PK00321370
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Description
Uses: General
Scripture: Psalm 103
A regal hymn of the faith is adorned with an auspicious treatment featuring festive brass and solid traditional choral textures. The divine characteristics of the eternal God are exalted in this classic hymn, and the scope of the arrangement reflects the lofty ideals of the poetry. The rich alleluias are great moments, and the piano, brass and percussion are a brilliant support system, undergirding the theatre of this noble anthem.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00321370
More about this title
About the Artist: Henry F. Lyte
Henry F. Lyte (1793-1847) was an English clergyman and prolific hymn writer whose texts shaped congregational singing across denominations for generations. Lyte's gift lay in crafting poetry that elevated theological concepts into language both intellectually rigorous and emotionally accessible, making his hymns enduring vehicles for worship and instruction.
Why we love this
Tom Fettke's arrangement respects the hymn's architectural integrity while giving it theatrical weight through strategic brass scoring and rhythmic vitality. The treatment never overwhelms the text; instead, the orchestration amplifies what Lyte's poetry already conveys about divine majesty and worthy praise.
What to expect
Processional and assured, with the weight of liturgical tradition buoyed by confident orchestration. The music conveys reverence without solemnity, inviting singers and listeners into active, joyful participation rather than passive contemplation.
Who it's for
Choirs with access to basic brass instrumentation and percussion who want substantial congregational material with genuine concert presence. This works equally well for church services seeking elevated repertoire and choral ensembles building a sacred literature program.
How to get the most out of it
- Balance the brass figures so they enhance rather than drown the choral line. The piano and brass exist to undergird the singers, not compete for attention.
- Shape the alleluia sections with clear dynamic architecture. Each iteration builds textural density; let the performers feel this cumulative effect in rehearsal.
- Attend to the percussion parts as rhythmic anchors. Clean articulation here tightens the ensemble and reinforces the festive character throughout.
- Work the brass intonation carefully in sustained chords. The regal quality depends on locked, stable harmony underneath the chorale.
How to use it
Position this as the centerpiece of a sacred concert or the climactic finale of a service of lessons and carols. Its scale and festive character also make it effective paired with other Lyte texts arranged at different styles, creating a thematic arc through his contributions to Christian hymnody.
Skills your students will build
- Balancing congregational hymn melody with accompanying orchestrations
- Sustaining long vocal lines while managing breath across extended phrases
- Interpreting dynamic contrast and textural layering in ceremonial music
- Ensemble coordination between choir and instrumental parts, especially brass entries