Praise, My Soul, The King Of Heaven: Choral Instrumental Pak
By John Leavitt
Item: 35-PK00245993
$40.00
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Description
Triumphant and dynamic, John Leavitt's bold setting of this popular text will make for an exciting moment of worship for any choir and congregation. Available separately: SATB, ChoirTrax CD. Score and parts (tpt 1-2, hn, tbn 1-2, timp, perc 1-2, db)available as a Printed Edition and as a digital download. Duration: ca. 4:20.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00245993
More about this title
About the Composer: John Leavitt
John Leavitt has established himself as one of the most prolific and performed composers in American choral music. His settings span sacred, secular, and concert repertoire, and his keen understanding of what works in the rehearsal room and on stage has made his music a staple in festivals and churches nationwide.
Leavitt's compositions are known for their accessibility without sacrificing musical substance. He writes with keen attention to balance between choir and instruments, creating arrangements that enhance rather than overwhelm the ensemble.
Why we love this
Leavitt captures the energy inherent in this beloved hymn text without resorting to heavy-handed orchestration. The brass and percussion writing is purposeful and idiomatic, supporting the choir's momentum while remaining transparent enough that the text remains primary. This is a setting that will energize both your singers and your congregation.
What to expect
From the first downbeat, the piece radiates celebration and confidence. The combination of full choir, bright brass, and propulsive percussion creates a sound that feels both thoroughly modern and deeply rooted in hymn tradition. It's the kind of performance moment that leaves both singers and listeners energized.
Who it's for
This arrangement serves choirs of intermediate to advanced skill who have access to brass players and a percussionist. It works equally well in church settings, concert programs, and festival contexts where you want a jubilant, substantial closing piece.
How to get the most out of it
- Balance the brass parts carefully in early rehearsals; the brass should enhance the choral lines, not compete with them. Once singers are secure, you can layer in more independence.
- Shape the dynamic arc across the full 4:20 duration so the piece doesn't peak too early. Reserve your brightest, most forward sound for the final section.
- Coordinate timpani and percussion attacks with the brass section during instrumental passages. These moments need clarity and precision to land with the intended triumphant effect.
- Lock the harmonic progression between your bass section and the double bass part; this foundation makes everything else sit better in the mix.
How to use it
Close a concert or worship service with this if you want the final image to be one of joy and affirmation. The piece also works beautifully as a companion to other contemporary hymn settings, creating a thematic anchor around worship or faith-based themes.
Skills your students will build
- Balancing multiple musical lines in a dense texture
- Maintaining rhythmic integrity while following independent instrumental parts
- Sustaining energy and intensity across a moderately long form
- Blending voices with brass accompaniment