Practical Ear Training for Improvisers: Book

This book cuts through the abundance of abstract ear training materials by offering a concrete, systematized method designed specifically for improvisers. Kane's direct teaching lineage with Dr. Zlotnik, combined with his own experience as a working jazz pianist, means every exercise in these pages serves a real improvisational purpose. The integration of video supplements transforms what could be a static workbook into an interactive learning experience.

Studying this material feels like gaining access to a musical code you've been hearing intuitively but couldn't articulate. The Pivot System transforms vague listening habits into precise, teachable skills that make improvisation feel less like guessing and more like having a conversation.

Jazz students and improvisers who want to develop genuine, instantaneous recognition of intervals, chord qualities, and progressions. This book serves anyone serious about building the ear foundation that separates confident improvisers from those still guessing at changes.

• Work through the interval recognition exercises consistently before moving to chord progressions; the foundation matters more than speed.
• Reference the companion website videos alongside the book to see the Pivot System in action rather than relying on text descriptions alone.
• Apply what you learn to transcription work and real tunes you're learning; isolated drills only stick when connected to actual playing.

This functions as both a standalone ear training resource and a complement to applied jazz study. Students working toward jazz degrees or preparing for improvisation performance can move through the Pivot System exercises in parallel with their ensemble and private lesson work, with video supplements reinforcing concepts between sessions.

• Instantaneous interval recognition by ear
• Identification of complex chord qualities and extensions
• Chord progression recognition and anticipation
• Foundational ear skills for confident improvisation