Powder Her Face Cover Image

Powder Her Face: Vocal Score

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Powder Her Face Cover Image

Powder Her Face: Vocal Score

An Opera in Two Acts

By Thomas Adès

Item: 12-0571517307

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51730-7
ISBN13: 978-0-571-51730-5
UPC: 9780571517305
SKU: 12-0571517307

More about this title

About the Composer: Thomas Adès

Thomas Adès stands among the most performed composers of the 21st century, having established himself early as a fearless voice unafraid to challenge operatic convention. His training at King's College Cambridge and mentorship under Oliver Knussen equipped him with both technical mastery and a distinctive aesthetic sensibility that draws freely from classical forms, popular music, and avant-garde techniques.

For music educators, Adès matters because his works demonstrate how contemporary composition can be urgent, theatrical, and deeply human all at once. His approach to vocal writing rewards singers who commit fully to text and character, making his scores invaluable for advanced programs seeking to expand students' understanding of what opera can be.

Why we love this

Adès writes for the voice with crystalline clarity and emotional directness. This opera, scandalous, intimate, and relentlessly modern, sits at the intersection of chamber opera and grand theatrical statement, making it ideal for advanced programs ready to tackle something genuinely contemporary without sacrificing lyrical beauty.

What to expect

Brittle, elegant, and psychologically raw. The vocal line glitters with theatrical flair while the accompaniment creates an atmosphere of controlled chaos and emotional exposure, as if overhearing a confession designed for maximum discomfort.

Who it's for

Advanced opera singers and pianists capable of navigating contemporary vocal writing and complex harmonic language. University opera programs and serious student singers looking to expand their repertoire beyond 19th-century staples will find substantial artistic and technical challenge here.

How to get the most out of it

  • Treat the vocal line as speech that happens to be sung. Adès's text setting privileges clarity and dramatic timing over traditional bel canto phrasing, so prioritize articulation and word stress over sustained legato.
  • The piano reduction demands a pianist with strong ensemble instincts and confidence with dissonance. Rehearse vocal and keyboard parts separately before combining, as the rhythmic relationship between voice and accompaniment can feel unsettled on first read.
  • Commit to character and dramatic action from the opening moment. This score thrives on psychological specificity; singers must understand their dramatic arc fully and inhabit each moment with complete presence.

How to use it

Use this in an advanced vocal literature course to model how 21st-century composers approach operatic form and text setting. It works powerfully in a program pairing contemporary works with historical opera, or as a centerpiece for a chamber opera production that emphasizes artistry over grand production values.

Skills your students will build

  • Performing contemporary vocal music with accurate intonation in extended harmonic contexts
  • Coordinate irregular rhythmic patterns between voice and accompaniment
  • Interpret stage directions and dramatic subtext from a modern operatic score
  • Navigate rapid shifts in dramatic character and emotional intensity
  • Sustain vocal presence and technique in a psychologically demanding role

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