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Postludes for Worship: Praise and Worship: Piano Book

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Postludes for Worship: Praise and Worship Cover Image

Postludes for Worship: Praise and Worship: Piano Book

Piano Arrangements for the Close of Worship Services

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-47915

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Description
The Worship Essentials series offers a valuable resource for church pianists that includes collections with accessible piano arrangements specifically for preludes, offertories, and postludes. This book includes selections of contemporary Christian hits appropriate for postlude music. Titles: Cry of My Heart (Terry Butler) * Days of Elijah (Robin Mark) * Even So Come (Come Lord Jesus) (Chris Tomlin) * Everlasting God (Brenton Brown) * I Am Not Alone (Kari Jobe) * I Lift My Eyes Up (Brian Doerksen) * Indescribable (Jesse Reeves and Laura Story) * Lord, Reign in Me (Brenton Brown) * Mighty to Save (Hillsong Worship) * Our God (Chris Tomlin) * Redeemed (Big Daddy Weave) * Sing to the King (Billy Foote) * Take My Life (Holiness) (Scott Underwood) * This Is Amazing Grace (Phil Wickham) * Trust in You (Lauren Daigle) * Whom Shall I Fear (God of Angel Armies) (Chris Tomlin).

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Additional Details
Series: Worship Essentials
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-4217-4
ISBN13: 978-1-4706-4217-4
UPC: 038081549279
SKU: 00-47915

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear at age four in northwestern Pennsylvania and pursued formal training at the Warren Conservatory of Music before earning her B.S. in Music Education from the State University of New York at Fredonia. After teaching vocal music in upstate New York and instructing for Yamaha Music School internationally, she relocated to Nashville where she transitioned into arranging, ultimately producing over four hundred solo piano collections throughout her career.

Tornquist's arrangements are known for their craftsmanship, playability, and suitability across traditional, blended, and contemporary worship contexts. Her distinctive harmonic and rhythmic choices refresh familiar melodies while remaining accessible to pianists at varying levels. An Alfred author since 2010, she continues to approach arrangement as a teaching tool, prioritizing clarity and musical integrity in every resource she creates.

Why we love this

These postludes strike a rare balance: singable melodies and clear harmonic progressions that contemporary worship pianists actually want to play, paired with writing that doesn't sacrifice musical substance for accessibility. Tornquist's arrangements give each piece enough character to feel complete on its own rather than merely functional, making them ideal for sending congregants out thoughtfully rather than hurriedly.

What to expect

These postludes carry the warmth and familiarity of songs many congregants know from singing or listening, but Tornquist's harmonic choices and rhythmic settings give them a new dimension at the keyboard. There's a sense of gentle completion, neither rushed nor overly sentimental, as if the music is reflecting back on the service with quiet intentionality.

Who it's for

Church pianists who need accessible yet musically satisfying arrangements for weekly postludes, particularly those serving in contemporary or blended worship contexts where these songs are already familiar to congregations. Late intermediate and early advanced pianists will find the technical demands manageable while the harmonic language remains fresh and engaging.

How to get the most out of it

  • Shape each phrase by listening for the underlying vocal melody, even when it appears in inner voices or right-hand harmonies. This keeps the arrangement sounding intentional rather than merely decorative.
  • Adjust tempo based on the acoustics of your sanctuary and the character of the service. Some postludes benefit from slightly slower tempos that allow harmonic color to register clearly.
  • Balance the left-hand accompaniment patterns carefully so they support rather than overpower the melody. These arrangements often feature rhythmic texture that matters.
  • Consider the emotional arc of the song's original melody and use dynamic shaping to let it breathe, especially in pieces with repeated harmonic progressions.

How to use it

Program these as closing music for services where the same songs appear in congregational singing or worship sets; the arrangement becomes a musical echo that extends the moment. They also work well for special services, offertories, or pre-service gatherings where you need music that's recognizable yet substantial enough to justify the pianist's skill.

Skills your students will build

  • Voicing contemporary Christian melodies in pianistic arrangements
  • Reading rhythmic accompaniment patterns that support harmonic movement
  • Balancing melody and accompaniment in dense right-hand textures
  • Interpreting familiar songs through harmonic reharmonization
  • Phrasing and shaping arrangements for worship contexts

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