Post Script: Midnight Clear Sheet Music Preview

Post Script: Midnight Clear: Piano

Trans-Siberian Orchestra

Item: 00-PS-0010920

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Description
This is the third and final volume of Trans-Siberian Orchestra's Christmas trilogy, featuring their blend of classical, R&B, Broadway, and hard rock music.

Titles: Faith Noel * The Lost Christmas Eve * Christmas Dreams * Wizards In Winter * Remember * Anno Domine * Christmas Concerto * Queen of the Winter Night * Christmas Nights in Blue * Christmas Jazz * Christmas Jam * Siberian Sleigh Ride * What Is Christmas? * For the Sake of Our Brother * The Wisdom of Snow * Wish Liszt (Toy Shop Madness) * Back to a Reason (Part II) * Christmas Bells, Carousels & Time * What Child Is This? * O Come All Ye Faithful * Christmas Canon Rock * Different Wings * Midnight Clear.

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Additional Details
Publisher: Alfred Music
Page Count: 156
SKU: 00-PS-0010920

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded Trans-Siberian Orchestra in 1996 and has served as the ensemble's composer, lyricist, and creative director ever since. His work blends orchestral arrangements with rock instrumentation, creating a distinctive sound that appeals across genres and generations. O'Neill's Christmas trilogy represents some of the most ambitious holiday music written for contemporary audiences, combining classical motifs with modern production sensibilities.

Why we love this

This collection captures the theatrical ambition and genre-blending energy that made Trans-Siberian Orchestra's albums cultural phenomena. The piano arrangements preserve the orchestral scope of the originals while offering an intimate, manageable format for performance; you get sweeping arrangements of both familiar carols and wholly original compositions without needing a full ensemble. For pianists comfortable with rock and pop idioms alongside classical vocabulary, this book rewards players who can shift musical styles within a single rehearsal.

What to expect

Cinematic and lush, with orchestral weight translated into keyboard textures. The music swings between intimate, introspective passages and massive, anthemic choruses; you'll encounter moments of genuine classical beauty alongside high-energy rock grooves, often within the same arrangement. There's a theatrical grandeur throughout that doesn't feel overwrought, anchored by melodies that lodge in memory.

Who it's for

Pianists and singers who thrive in contemporary commercial and theatrical music, not strictly classical repertoire. This collection suits performers preparing holiday recitals, studio musicians building rock and pop credentials, and music educators seeking substantial holiday material that respects their students' musical intelligence and range of interests.

How to get the most out of it

  • Balance the vocal melody against rhythmic figures in the left hand; the arrangements often layer busy accompaniment patterns that can overshadow the singer if not carefully managed.
  • Treat tempo markings as suggestions for groove rather than metronomic precision. These pieces lean heavily on feel and pocket, so lock into the pulse rather than chase exact timings.
  • Pay attention to stylistic shifts within individual songs. Many tracks move between rock, classical, and orchestral textures; prepare your touch and voicing to change character mid-piece.
  • Use the chord symbols as a compositional guide, not just harmonic labels. O'Neill often writes rich extensions and substitutions that inform both the piano part and the harmonic language underlying the melody.

How to use it

Build a contemporary holiday concert around selections from this book paired with other modern Christmas music or reimagined carols. The familiar titles ("What Child Is This?" and "O Come All Ye Faithful") sit comfortably alongside original compositions, allowing you to program a show that honors tradition while offering fresh arrangements. Individual songs work equally well in solo recitals or as feature numbers in larger ensemble productions.

Skills your students will build

  • Reading and performing rock and pop piano styles (groove, swing eighths, syncopation)
  • Vocal accompaniment with attention to stylistic support across multiple genres
  • Harmonic analysis using chord symbols and jazz-influenced extensions
  • Arranging sensibility and orchestrational thinking translated to keyboard
  • Shifting articulation and touch between classical, rock, and theatrical idioms
  • Balancing melody with complex, rhythmically active accompaniment patterns

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