Porgy and Bess® (Medley) Cover Image

Porgy and Bess® (Medley): Concert Band Conductor Score

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Porgy and Bess® (Medley) Cover Image

Porgy and Bess® (Medley): Concert Band Conductor Score

Featuring: I Got Plenty o' Nuttin' / It Ain't Necessarily So / Summertime / Crab Man / Bess, You Is My Woman Now

By George Gershwin / arr. James Barnes

Grade: 4 (Medium)

Item: 00-CB9802C

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Description
The music from the timeless masterwork Porgy and Bess®has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of "I Got Plenty O' Nuttin'," "It Ain't Necessarily So," "Summertime," "Crab Man," and "Bess, You Is My Woman Now." This is Gershwin at his best! (8:30)

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Additional Details
Series: Pop Symphonic Band
Publisher: Alfred Music
Page Count: 40
UPC: 029156906400
SKU: 00-CB9802C

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged the worlds of concert music and American popular song with unmatched fluency. His melodies became the soundtrack to an era, and his orchestrations revealed a composer equally at home writing for Broadway stages and concert halls. Porgy and Bess stands as his most ambitious work, a full-length opera that drew from African American vernacular music, jazz idioms, and classical forms to create something genuinely new.

For music educators, Gershwin's legacy matters because his music teaches students that popular and concert traditions are not opposites. His harmonies, rhythmic vitality, and gift for memorable melody make his work endlessly engaging for performers and audiences alike. When students play Gershwin, they're learning from a composer who understood how to make music that sounds effortless, even when it demands real musicianship.

Why we love this

James Barnes has distilled five of Gershwin's most beloved songs into a single, flowing medley that holds together perfectly without feeling stitched together. The arrangement respects each melody's character while maintaining momentum throughout, so your band experiences the drama and warmth of Porgy and Bess without requiring a staging. At Grade 4, it's sophisticated enough to engage serious musicians while remaining playable by bands still building their craft.

What to expect

Porgy and Bess pulses with the rhythms of Charleston and jazz, yet it carries genuine warmth and emotional depth. The medley moves fluidly between moments of playful humor, sultry sophistication, and tender lyrical beauty, giving your band a full emotional arc in eight and a half minutes. There's a reason these songs have endured for nearly a century: they're simply irresistible.

Who it's for

This conductor score is essential for band directors programming Grade 4 ensembles who want to include major American musical theater in their concert season. Players who have learned concert repertoire but crave the accessibility and warmth of popular song will find real joy in these melodies. The arrangement brings accessibility without sacrificing the sophistication Gershwin's music demands.

How to get the most out of it

  • Balance the prominent melodies against inner voicings carefully; Gershwin's harmonies are rich, and muddiness obscures the beauty of the orchestration. Listen specifically for clarity in the saxophone and clarinet lines.
  • Shape each song section as a distinct character rather than rushing between them. The transition from the rhythmic energy of 'It Ain't Necessarily So' to the lyrical warmth of 'Summertime' needs breathing room.
  • Emphasize the syncopated rhythms and jazz-influenced figures without letting them feel loose; Gershwin's syncopation is precise and intentional. Precision here actually makes the groove feel more natural.
  • Pay attention to dynamics in the softer passages. 'Summertime' and 'Bess, You Is My Woman Now' lose their emotional impact if the band doesn't commit to genuine quietness in the mezzo-piano sections.

How to use it

Program this medley when you want to honor American musical theater within a concert band context, particularly alongside classical standards. It works beautifully as a second-half opener or closer, providing textural and stylistic contrast to more traditional concert fare. Consider pairing it with other American classics or contemporary concert arrangements to build a program celebrating distinctly American voices in music.

Skills your students will build

  • Playing syncopated rhythms with precision and musical intent
  • Balancing prominent melodic lines against supporting harmonic voices
  • Shaping transitions between contrasting musical sections
  • Interpreting jazz-influenced articulations and phrasing in a concert band setting
  • Dynamic control in both energetic passages and intimate lyrical moments

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