Popular Piano Library: Movie Hits, Level 5 Cover Image

Popular Piano Library: Movie Hits, Level 5: Piano Book

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Popular Piano Library: Movie Hits, Level 5 Cover Image

Popular Piano Library: Movie Hits, Level 5: Piano Book

Arr. Gail Lew, Eugénie R. Rocherolle, and Tom Roed

Level: Late Intermediate

Item: 00-ELM04004

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Description
Music for the performer in all of us brings together blockbuster popular, jazz, and movie hits. Carefully chosen for their broad appeal to performers, students, and audiences, all titles are pianistically arranged by Larry Minsky, Tom Roed, Gail Lew, and Eugenie Rocherolle using effective chord substitutions to give a "big" professional sound. Titles: And All That Jazz * Because You Loved Me * Fawkes the Phoenix * The Greatest Love of All * Hedwig's Theme * I Believe in You and Me * Looking Through Your Eyes * Over the Rainbow * The Prayer * Where Are You Christmas? * You Light Up My Life.

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Additional Details
Series: Popular Piano Library
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7579-2016-0
ISBN13: 978-0-7579-2016-5
UPC: 654979074601
SKU: 00-ELM04004

More about this title

About the Arranger: Eugénie R. Rocherolle

Eugénie R. Rocherolle is a composer and arranger whose work spans classical, popular, and jazz idioms. Her arrangements are known for maintaining musical integrity while making repertoire accessible to intermediate and advanced students, using sophisticated harmonic language that sounds polished without requiring virtuosic technique.

Why we love this

These arrangements strike a rare balance between sounding like professional recordings and remaining playable at the late intermediate level. The harmonic voicings and substitutions give students genuine insight into how jazz pianists reharmonize melodies, and the mix of film scores with pop standards means recitals stay engaging for both performer and listener.

What to expect

Playing these arrangements feels like stepping into a film score or jazz lounge. The harmonic language is rich and contemporary, with unexpected chord movement that keeps the ear engaged. Each piece balances lyrical melody with sophisticated accompaniment textures that reward careful listening.

Who it's for

Late intermediate pianists who love film and popular music and want to play arrangements that sound genuinely professional. This collection works equally well for students in private lessons and for recital programmers seeking crowd-pleasing material that has musical substance.

How to get the most out of it

  • Pay close attention to the chord substitutions marked in the scores; they create the "big" sound but require clean voicing control to avoid muddiness, especially in the lower register.
  • Use the recorded accompaniments to lock in tempo and phrasing before performing live; these arrangements reward rhythmic precision.
  • Balance melody against accompaniment figuration carefully, since many of these pieces layer the tune over sophisticated harmonic movement that shouldn't disappear.

How to use it

These titles work beautifully in mixed recitals where you want to bridge classical and popular repertoire. They're also excellent for concert encore pieces or student showcases where you need strong audience appeal without sacrificing musical credibility. The variety of tempos and moods means you can program them as individual selections or group related pieces thematically.

Skills your students will build

  • Voice leading through jazz-inflected chord substitutions
  • Playing block and broken chord accompaniment patterns cleanly
  • Balancing melodic line against complex harmonic textures
  • Interpreting film music idioms (orchestral reduction, dramatic pacing)
  • Reading and executing performance markings in popular music styles

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