Popular Performer: 1920s Cover Image

Popular Performer: 1920s: Piano Book

$12.99 USD
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Popular Performer: 1920s Cover Image

Popular Performer: 1920s: Piano Book

The Best Songs from Broadway, Movies and Radio of the 1920s

Arranged by Jan Sanborn

Level: Advanced

Item: 00-34448

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Description
Rich textures, sophisticated harmonies, and inventive rhythms make these arrangements ideal for hobbyists, advancing students, and professional musicians. Titles: Ain't Misbehavin' * Bye Bye Blackbird * California, Here I Come * Get Happy * Look for the Silver Lining * 'S Wonderful * Singin' in the Rain * Strike Up the Band * Tea for Two.

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Additional Details
Series: Popular Performer Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-6711-7
ISBN13: 978-0-7390-6711-6
UPC: 038081382838
SKU: 00-34448

More about this title

Why we love this

Sanborn's arrangements capture the swagger and sophistication of the Jazz Age without sacrificing playability. These aren't simplified versions; they're genuine interpretations that reward careful practice with genuine musical substance. The collection sits at that sweet spot where advancing pianists can sound genuinely impressive while learning repertoire that never goes out of style.

What to expect

These arrangements transport you into a room filled with cigarette smoke and the clink of glasses. The harmonies sparkle with jazz inflections; the rhythms swing without ever feeling out of control. Playing through this book feels like inhabiting a specific moment in American music history, one where sophistication and accessibility danced together perfectly.

Who it's for

Advanced pianists who want to perform genuine 1920s repertoire with style and substance. This collection works equally well for students looking to expand beyond classical literature and professionals assembling sets for weddings, cocktail hours, or casual recitals.

How to get the most out of it

  • Lean into the syncopation without rushing. The rhythmic sophistication of these pieces comes from clarity and control, not tempo.
  • Let the harmonic richness breathe. These arrangements feature jazz chords that deserve space; avoid playing through them at one dynamic level.
  • Balance the melody against inner voices. Sanborn's textures often hide important lines that anchor the harmony; bring them forward selectively.
  • Practice hands independently before combining. The left hand often carries rhythmic and harmonic complexity that needs secure footing.

How to use it

Program individual titles as intermission or prelude music at formal events. The collection also pairs beautifully with vocal performances of the same era; pianists can provide tasteful accompaniment or independent arrangements depending on the context. These pieces work particularly well in recital settings where you want to shift tone and energy between classical works.

Skills your students will build

  • Interpreting jazz harmonies and chord substitutions
  • Executing syncopated rhythms with precision and style
  • Balancing independent voices within complex textures
  • Voicing chords for optimal resonance and clarity
  • Maintaining rhythmic independence between hands

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