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Popular Classics: Piano Book

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Popular Classics: Piano Book

12 Classic Pieces for Keyboard

Level: Early Intermediate

Item: 12-057153001X

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Description
23 classic pieces for electronic keyboard and published as part of the Easy Keyboard Library Series.

Titles: Air from Water Music * Air on a G String * Can-Can * Main Theme from Tchaikovsky's Piano Concerto No. 1 * Fantasie-Impromptu * Für Elise * Intermezzo from Cavalliera Rusticana * Largo from New World Symphony * Brahms' Lullaby * Minuet from Bocherini's String Quartet * Minuet in G (Bach) * Minuet in G (Beethoven) * Ode to Joy * Chopin Prelude * Radetsky March * Spring from The Four Seasons * The Swan from Carnival of the Animals * Swan Lake * Theme from Mozart's Symphony No. 40 * To a Wild Rose * Waltz from Sleeping Beauty * Waves of the Danube * William Tell Overture.

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Additional Details
Series: Faber Edition: The Easy Keyboard Library
Publisher: Faber Music
ISBN10: 0-571-53001-X
ISBN13: 978-0-571-53001-4
UPC: 9780571530014
SKU: 12-057153001X

More about this title

Why we love this

This collection gives your early intermediate students instant access to the repertoire they actually want to play. The 23 selections span centuries and styles, so every player finds something that resonates, whether they're drawn to Chopin's lyrical writing or the sheer joy of the Can-Can. You'll spend less time convincing them that classical music matters and more time hearing them play with genuine enthusiasm.

What to expect

You're touring the greatest hits of concert halls and dance halls across three centuries, all from one keyboard. The music breathes with elegance and sweep, from the delicate opening of Für Elise to the irresistible momentum of the Radetsky March, creating a satisfying sense of musical completeness without overwhelming technical demands.

Who it's for

Early intermediate pianists and keyboard players ready to explore beyond etudes and simple arrangements. This book suits private students building a varied recital repertoire and young ensemble members who want to expand their solo capabilities while still needing accessible voicings.

How to get the most out of it

  • Approach the Baroque minuets (Bach and Beethoven) with clarity in the articulation; the steady eighth-note patterns need rhythmic precision without rushing, which will strengthen their sense of pulse.
  • Honor the pedal markings in Chopin's Prelude and Fantasie-Impromptu, but introduce them gradually if your student is new to sustain pedal work—these pieces show how texture and resonance become part of the melodic idea.
  • Use the lyrical pieces (Brahms' Lullaby, To a Wild Rose, The Swan) as studies in phrasing and tone shaping; early intermediate players benefit from hearing how a sustained, singing quality emerges from controlling dynamics and breath-like phrase contours.
  • Let the orchestral transcriptions (William Tell Overture, Spring, Swan Lake) reveal the shape of the original instrumentation through registration; students grasp arrangement principles by noticing where the keyboard substitutes for strings, brass, or woodwinds.

How to use it

Offer selections from this book as solos in a spring recital showcasing student achievement, or pair pieces strategically throughout the school year as rewards for reaching practice milestones. The orchestral transcriptions work especially well alongside an ensemble concert, letting keyboard players shine during intermission or as a complement to your band or orchestra program.

Skills your students will build

  • Interpreting classical forms (minuet, prelude, theme and variation) through guided keyboard voicing
  • Managing sustain pedal to shape tone and resonance in lyrical passages
  • Recognizing and executing articulation patterns from different periods and styles
  • Reading and performing arrangements of orchestral and chamber music at the keyboard
  • Building confidence with recognizable, culturally significant melodies

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