Popcorn Superhet Receiver Cover Image

Popcorn Superhet Receiver: String Orchestra Score

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Popcorn Superhet Receiver: String Orchestra Score

By Johnny Greenwood

Item: 12-0571522041

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Description
Jonny Greenwood, multi-instrumentalist of rock band Radiohead, was nominated for the BBC British Composer Awards, for Popcorn Superhet Receiver in 2006.

Inspired by radio static and the extended, dissonant chords of Polish composer Penderecki's Threnody for the victims of Hiroshima, the piece was also used in Paul Thomas Anderson's movie There Will Be Blood.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52204-1
ISBN13: 978-0-571-52204-0
SKU: 12-0571522041

More about this title

About the Composer: Johnny Greenwood

Johnny Greenwood is a guitarist, keyboardist, and composer best known as a founding member of Radiohead, the British rock band that reshaped alternative music from the 1990s onward. Beyond rock music, Greenwood has pursued serious composition, earning a BBC British Composer Award nomination in 2006 for Popcorn Superhet Receiver and subsequently composing orchestral scores for films including There Will Be Blood, The Master, and Inherent Vice. His classical work draws on contemporary compositional techniques and his deep knowledge of 20th-century experimental music.

Greenwood studied composition formally and has collaborated with conductors and orchestras internationally. His concert works blend influences from modernist composers like Penderecki with his own distinctive voice, creating pieces that appeal to both classical musicians and listeners familiar with his popular music career.

Why we love this

Greenwood's orchestration is fearless and deeply rewarding to conduct. The piece draws inspiration from Penderecki's Threnody while establishing its own identity through radio static textures and dissonant harmonic language, offering your ensemble a genuine encounter with contemporary classical thinking rather than a populist arrangement of a rock musician's work.

What to expect

Popcorn Superhet Receiver unfolds as a landscape of shimmering, dissonant chords punctuated by moments of angular motion. The piece evokes radio interference and electronic static given acoustic form, creating an unsettling, hypnotic atmosphere that hovers between meditative and deeply unsettling. Listeners experience the dissolution of traditional harmonic resolution in favor of textural and timbral development.

Who it's for

This work belongs in the hands of intermediate to advanced string orchestras with players who have experience reading contemporary notation and executing extended techniques. Conductors looking to program substantial 20th-century repertoire alongside canonical works will find in Greenwood's score a piece that commands attention without requiring an enormous ensemble.

How to get the most out of it

  • Balance the sustained, dissonant chords carefully across all sections. String players often want to vibrate heavily on sustained notes; encourage them to adjust vibrato width and speed to match your conception of the harmonic wash.
  • Investigate the score's use of unconventional playing techniques early in rehearsal. Identify passages calling for sul ponticello, col legno, or other extended techniques and allocate rehearsal time accordingly.
  • Attend closely to intonation in the dissonant passages. Precision here reveals the harmonic architecture rather than obscuring it; tune upward on leading tones and downward on dissonant intervals to sharpen the sound.
  • Work dynamics in layers. Secondary lines that seem subordinate often anchor the texture; ensure inner voices project enough to hold the structure in place.

How to use it

Program this as a centerpiece for a contemporary music concert or as a bold opening to a concert exploring 20th-century string writing. It pairs effectively with other modernist works or serves as a statement of artistic ambition when programmed alongside more traditional repertoire, demonstrating your ensemble's range and willingness to engage with challenging new music.

Skills your students will build

  • Reading and executing extended string techniques (sul ponticello, col legno, harmonics)
  • Tuning and balancing dissonant harmonic structures
  • Responding to non-traditional conducting gestures and contemporary notation
  • Sustaining focus through sparse, repetitive textures without excessive vibrato
  • Collaborating as an ensemble to build layered, complex sonorities

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