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Pop Showcase for Strings: Violin 2 Book

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Pop Showcase for Strings Cover Image

Pop Showcase for Strings: Violin 2 Book

For Solo or String Orchestra

Arr. Jack Bullock

Item: 00-0600B

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Description
Pop Showcase for Strings, for solo or string orchestra, is a collection of 13 popular songs that can be played as a solo with piano or CD accompaniment, or with a string orchestra with or without the CD or piano.
Each selection is presented in two arrangements, a solo and a complete string orchestra piece. The solo section is written so that it can be played as a solo or in unison (or octaves) together by any ensemble, including the entire orchestra, with or without piano accompaniment. The arrangement for string orchestra that follows uses the same rhythms and melodic lines included in the solo section. The first song can be played after the first six notes are learned in any string method and the pieces progress to about a level two.
These arrangements are excellent supplements for enhancing any student's knowledge of popular music from the 20th century and are great concert material.
Titles are: Augie's Great Municipal Band * Eye of the Tiger * Blue Tango * All I Want for Christmas Is My Two Front Teeth * Theme from Ice Castles (Through the Eyes of Love) * (Meet) the Flintstones * The Rose * This Is It! * I'm Walkin' * Merrily We Roll Along * Animaniacs * Star Wars (Main Theme) * Theme from Superman.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7579-8146-1
ISBN13: 978-0-7579-8146-3
UPC: 654979025740
SKU: 00-0600B
Instrumentation: Violin 2

More about this title

About the Arranger: Jack Bullock

Jack Bullock

Jack Bullock brings decades of practical experience across performance, composition, and music education to his arranging work. A classically trained trumpeter who performed with the Miami Philharmonic Orchestra and Miami Opera Company, he also logged years on the road with territorial and traveling dance bands, giving him deep familiarity with how music functions in real ensembles. He holds degrees in Music Education at the undergraduate, graduate, and doctoral levels.

Dr. Bullock spent 20 years teaching instrumental music in school settings and served as assistant band director at Ithaca College's School of Music, where he also chaired the Music Education Department for four years. His catalog includes over 600 published works across concert band, orchestra, jazz ensemble, and marching band. He co-authored the Belwin 21st Century Band Method and contributed arrangements to Music Expressions, Alfred Music's comprehensive school music curriculum. A member of ASCAP since 1980, he has conducted clinics and workshops throughout the United States, Canada, and England.

Why we love this

Bullock understands what makes a string arrangement work in school settings because he has taught thousands of string students. Every piece here serves double duty as accessible repertoire and genuine concert material, so your students play something that sounds and feels substantial without overreaching technically. The dual arrangement format (solo and full orchestra versions using the same melodic content) means you can deploy these pieces across multiple levels and configurations within the same rehearsal.

What to expect

These arrangements capture the groove and energy of familiar pop standards while respecting the acoustic identity of strings. You will hear moments of lush harmony, propulsive rhythmic movement, and genuine melodic expression all in music that students recognize from movies, TV, and the wider culture beyond the concert hall.

Who it's for

String orchestra directors looking to program recognizable, rewarding music at the early intermediate level without sacrificing musicianship. Beginning and early intermediate violinists (roughly Grades 1-2) who benefit from learning popular melodies within the context of an ensemble, whether in a full orchestra setting or as a soloist with accompaniment.

How to get the most out of it

  • Balance the Violin 2 part carefully against Violin 1, especially in pieces where your second violins carry sustained harmony or counter-melodic material. A supported but never buried sound keeps the orchestration transparent.
  • Treat the rhythmic profiles seriously even though the music is pop-based. These songs succeed when every section locks together with precision rather than playing loosely.
  • If performing a solo arrangement, let the piano or recorded accompaniment establish the song's groove and style before your entrance. Too many student soloists rush the opening; anchor yourself to what you hear underneath.

How to use it

Include a pop showcase concert in your spring calendar featuring selections from this collection back-to-back. The varied styles (from "Star Wars" to "The Rose" to "Eye of the Tiger") give you natural contrast and keep audience attention high. These pieces also work beautifully as supplementary repertoire during the school year whenever you want to refresh student engagement with a familiar, high-energy title.

Skills your students will build

  • Reading simple melodic lines and rhythmic patterns at Grade 1-2 level
  • Playing in ensemble with Violin 1 and lower strings using matching rhythms and phrasing
  • Maintaining rhythmic accuracy within a pop-music context and groove
  • Adapting between solo playing (with piano or CD accompaniment) and orchestral ensemble playing
  • Recognizing and performing stylistically appropriate articulation and dynamics for 20th-century popular music

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