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Pop Improv: Elementary/Late Elementary Piano Book

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Pop Improv Cover Image

Pop Improv: Elementary/Late Elementary Piano Book

By Edwin McLean

Item: 98-FJH2125

$7.95
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Description
Pop Improv features twelve improvisational concepts, each one illustrated with a piece written on the left page, followed by an improvisation model on the right page. All of the R.H. improvisation models are based on 5-finger positions as well as a simple 1-2-1 crossover fingering in some models to add melodic interest. The L.H. consists of fifths making improvising easy for elementary students of all ages.

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Additional Details
Series: Jazz in Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-853-4
ISBN13: 978-1-56-939853-1
UPC: 674398227365
SKU: 98-FJH2125

More about this title

Why we love this

Pop Improv removes the intimidation from improvisation by pairing each concept with a concrete written model, letting students see how an idea sounds before they create their own. The 5-finger positions keep technical demands minimal while the left-hand fifths provide real harmonic foundation, so improvising feels like real playing, not a simplified exercise.

What to expect

Playful and contemporary, with the accessibility of pop idioms meeting the spontaneity of improvisation. Each piece feels like a conversation between what's written and what the student imagines, balancing structure with freedom.

Who it's for

Elementary and late elementary pianists ready to move beyond note-reading into creative musical thinking. Students at this level often crave the chance to make music their own way, and this book gives them permission and structure to do exactly that.

How to get the most out of it

  • Study the written model alongside the improvisation page before students attempt their own version. Having a clear reference point makes the leap to free improvisation far less daunting.
  • Encourage students to repeat successful melodic phrases rather than constantly searching for new material. Confidence builds when they hear themselves make intentional musical choices.
  • Use the 1-2-1 crossover fingering in later models as an opportunity to refine hand position and finger independence, not just as a way to add notes.
  • Play through the written piece first in every session, even after the student has begun improvising. This grounding keeps the concepts anchored to real musical context.

How to use it

Weave individual pieces into lesson sequences throughout the year as improvisation skills develop, rather than assigning the book all at once. Pairing a written piece with its improvisation model makes an excellent recital or student showcase moment, letting families hear both the composed version and the student's creative response.

Skills your students will build

  • Improvising within 5-finger positions and simple hand shifts
  • Understanding left-hand accompaniment patterns using fifths
  • Creating melodic phrases that fit harmonic structures
  • Building confidence in spontaneous musical decision-making
  • Applying fingering techniques to support improvisation

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