Pompeii (arr. Jacob Narverud) Sheet Music Preview

Pompeii (arr. Jacob Narverud): Choral Instrumental Pak

By Dan Smith / As performed by Bastille / Arranged by Jacob Narverud

Item: 35-PK00299433

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Description
A hit in the USA by British rock band Bastille from their album "Bad Blood", this song is about the Roman town of the same name, which met its fate with the eruption of Mount Vesuvius. Vocal rhythms and harmonies, bass, percussion and supportive, yet optional, piano recreate this pop tune into a pop choral masterpiece. Duration: ca. 3:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00299433

More about this title

About the Composer: Dan Smith

Dan Smith is the lead vocalist and primary songwriter for Bastille, the British pop rock band that emerged from the London music scene in the early 2010s. His songwriting blends introspective lyrics with infectious melodies and layered production, creating songs that resonate across both alternative and mainstream audiences. Smith's work demonstrates how contemporary pop songwriting can carry literary and historical depth, often drawing inspiration from classical references and narrative storytelling.

Why we love this

This arrangement captures the propulsive energy of the original hit while translating it into choral territory without losing what made the song compelling in the first place. Jacob Narverud's scoring balances vocal prominence with instrumental support, giving singers rhythmically engaging material and letting the percussion and bass drive the groove that makes this song stick in listeners' ears. It's the kind of piece that energizes students while remaining musically substantive.

What to expect

The piece radiates the propulsive momentum of a modern rock anthem adapted for voices. Rhythmic urgency combines with harmonic sophistication, creating an arrangement that feels both current and crafted, energizing enough to keep student singers engaged while remaining grounded in solid choral writing.

Who it's for

This arrangement works for mixed ensembles (SAB or SATB) looking to program contemporary repertoire that feels relevant to students without sacrificing musical integrity. It suits directors seeking pieces that bridge the gap between popular music and choral musicianship, offering accessibility alongside legitimate performance challenges.

How to get the most out of it

  • Lock the rhythm section (bass and percussion) first. The groove foundation is essential to the arrangement's character, so establish that pocket before layering in the vocal parts.
  • Articulate the vocal rhythms crisply. The syncopated lines that define this tune require precision; clean attacks and releases will make the choral texture cut through the accompaniment.
  • Let the optional piano part breathe as a supportive layer rather than a lead voice. If included, it should enhance the harmonic foundation without competing with the singers.
  • Emphasize the narrative quality of the lyrics. The song's thematic content rewards expressive phrasing and clear diction, which elevates it beyond pop song mechanics.

How to use it

Consider pairing this with other contemporary choral arrangements or pop hits to create a concert set that speaks to current student interests while demonstrating choral flexibility. The three-minute duration makes it ideal for variety concerts, casual concert programming, or festival formats where you want to showcase student connection to modern music.

Skills your students will build

  • Syncopated rhythm reading and articulation
  • Pop style interpretation and groove-based phrasing
  • Ensemble blend across vocal and instrumental textures
  • Rhythmic precision in interaction with percussion and bass parts

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