Pompeii (arr. Hans Reintjes) Sheet Music Preview

Pompeii (arr. Hans Reintjes): SSAA Choral Octavo

As performed by Bastille / Arranged by Hans Reintjes

Item: 35-DS00490990

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Additional Details
Publisher: Hal Leonard
Page Count: 132
SKU: 35-DS00490990

More about this title

About the Artist: Bastille

Bastille is a British pop band that emerged in the early 2010s, built on electronic production, layered vocals, and introspective songwriting. Their work appeals to music educators seeking contemporary repertoire that engages student singers while maintaining musical integrity and harmonic interest.

Why we love this

Hans Reintjes has crafted an arrangement that preserves the song's hypnotic electronic character while letting voices do the heavy lifting. The SSAA voicing sits comfortably for developing singers, and the layered texture creates space for each part to matter without demanding Olympic range.

What to expect

Propulsive and introspective at once. The arrangement maintains the original's blend of driving rhythm and vulnerable melody, creating a performance that feels both energetic and emotionally grounded. Students will feel the appeal of modern songwriting without abandoning vocal artistry.

Who it's for

Choirs seeking accessible contemporary pop repertoire that doesn't sacrifice musical substance. Works well for high school and adult ensembles wanting to program music students actually listen to outside of rehearsal.

How to get the most out of it

  • Balance the overlapping melodic lines carefully; what sounds like a single hook in the original is actually distributed across your choir. Rehearse by isolating each voice part so singers understand their role in the larger texture.
  • Shape the dynamics to mirror the building intensity of the arrangement. Resist letting the repetitive nature flatten into monotone; small dynamic shifts between sections keep listeners engaged.
  • Lock the rhythm section (sopranos on the main hook, altos providing harmonic foundation) with a click or rhythm track during rehearsals to establish the groove before adding expressive phrasing.

How to use it

Program this alongside other pop arrangements to build a concert section that proves your choir's versatility. It pairs well with contemporary pop but can also create an effective contrast if sandwiched between a classical work and a musical theater selection.

Skills your students will build

  • Layered melodic independence (tracking individual lines within dense harmonic texture)
  • Rhythmic precision in pop idiom (groove-based timing versus traditional meter emphasis)
  • Contemporary vocal tone production (balancing contemporary style with choir blend)
  • Part relationships and textural awareness (understanding how overlapping phrases create cohesion)

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