Poker Face Sheet Music Preview

Poker Face: String Orchestra Conductor Score & Parts

By RedOne / By Stefani Germanotta / As performed by Lady Gaga / Arranged by Robert Longfield

Grade: 2

Item: 35-PK00426732

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$45.00

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Description
Poker Face

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00426732

More about this title

About the Composer: RedOne

RedOne is a Swedish music producer and songwriter who shaped the sound of pop music in the 2000s and 2010s. His work with Lady Gaga on The Fame album established him as a master of infectious, radio-ready hooks and production that translates across genres and ensembles.

Why we love this

Robert Longfield's arrangement captures the relentless drive and synth-pop energy of the original while keeping the Grade 2 difficulty accessible for developing ensembles. Your students will recognize the song immediately, which means they'll invest in nailing the articulation, dynamics, and rhythmic precision that make this arrangement shine.

What to expect

Propulsive and confident, with the cool detachment and driving beat of the original. The arrangement brings pop's insistent energy into the string world, creating something that feels modern without losing the warmth strings naturally provide.

Who it's for

String orchestras performing at Grade 2 and students building confidence with contemporary arrangements. Directors looking to program something their students genuinely want to play and that engages audiences beyond the typical classical canon.

How to get the most out of it

  • Keep the bass line locked in throughout. The groove depends on that steady eighth-note foundation, so work it separately with your cellos and basses before bringing the full ensemble in.
  • Shape the melody line with clear phrasing rather than playing it mechanically. Even at this grade level, attention to breath marks and dynamic peaks makes the difference between competent and compelling.
  • Balance the violins and violas carefully in the accompaniment figures. These inner voices carry supporting rhythmic material that needs to sit just under the melody without drowning it.

How to use it

Place this in a pops concert or a program mixing classical and contemporary repertoire. It also works as a fun encore or as part of a concert built around recognizable melodies that showcase what your ensemble can do with familiar material.

Skills your students will build

  • Maintaining rhythmic precision in repeated accompaniment patterns
  • Balancing independent string parts in a texture-rich arrangement
  • Shaping melodic lines with dynamic control at a moderate tempo
  • Reading and executing syncopated rhythmic figures

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