Poème Lyrique in D-flat, Op. 12 Cover Image

Poème Lyrique in D-flat, Op. 12: Full Orchestra Conductor Score

$20.00 USD

Poème Lyrique in D-flat, Op. 12: Full Orchestra Conductor Score

Name: Poème Lyrique in D-flat, Op. 12: Full Orchestra Conductor Score
Brand: Alfred Music
SKU: 36-A435401
Price: 20.00 USD
Availability: InStock

By Alexander Glazunov

Item: 36-A435401

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Poème lyrique in D-flat major, Op. 12 was composed between 1884 and 1887 by Alexander Glazunov (1865-1936) while still in his late teens, during the period when he was emerging as one of the most promising figures of the Russian nationalist school under the mentorship of Nikolai Rimsky-Korsakov. Written at a time when Russian composers were increasingly exploring symphonic tone poems and lyrical orchestral forms, the work suggests the influence of Tchaikovsky while also exemplifying Glazunov's own gift for lush melody. Although a specific premiere date is unknown, the piece was performed in Russian musical circles shortly after its completion and contributed to Glazunov's growing reputation as a prodigy. The Poème lyrique occupies a modest but appealing place in the orchestral repertoire, programmed for its elegant lyricism, rich harmonic language, and as an early example of Glazunov's mature style developing within the late-Romantic Russian tradition. Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Hp: Str (9.8.7.6.5 in set). Reprint edition.

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Series: Kalmus Orchestra Library

Publisher: EDWIN F KALMUS

ISBN13: 979-890-420-0565

UPC: 604634019249

SKU: 36-A435401

Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Alexander Glazunov

Alexander Glazunov (1865–1936) emerged as one of Russia's most gifted symphonic composers during the late 19th century, studying under Nikolai Rimsky-Korsakov and becoming a central figure in the nationalist movement. His early works, including this Poème lyrique, showcase the melodic generosity and harmonic sophistication that would define his compositional voice, bridging the lyrical intensity of Tchaikovsky with the orchestral mastery of the Russian school.

Glazunov's long career spanned the transition from Romanticism into modernism, yet he remained committed to tonality, clear form, and orchestral brilliance. For educators, his works represent an essential touchstone in understanding late-Romantic Russian composition and the aesthetics that shaped an entire generation of orchestral writing.

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Why we love this

Glazunov's gift for sustained, singing melody shines throughout this work, offering your orchestra a chance to inhabit genuine Romantic lyricism without the length or complexity of a full symphony. The harmonic language remains accessible to conductors and players at the intermediate to advanced levels while never sacrificing sophistication, making it an ideal choice for programming Russian nationalism alongside more familiar repertoire.

What to expect

A long, unhurried walk through lush harmonic gardens. The music unfolds with the elegance and refinement of the salon, yet carries an underlying emotional depth that speaks to Russian Romanticism's gift for introspection. Listening to it performed well feels like witnessing something precious being held gently up to the light.

Who it's for

Conductors leading intermediate to advanced amateur orchestras, college and university orchestral programs, and regional orchestras seeking substantial yet tractable additions to their Russian repertoire. This work rewards ensembles with developed string sections and capable solo voices in the winds.

How to get the most out of it

Shape each phrase as you would a vocal line, maintaining the sense of continuous singing even through the quietest passages. The string sections should breathe as a unified voice.
Balance the harp part carefully; it should shimmer without overwhelming the woodwind soloists who emerge throughout the work.
Allow the horns and upper brasses space to project their characteristic warm, noble tone without rushing their entrances. Glazunov writes for these instruments with great respect for their natural timbre.
Attend to the D-flat tonality in your rehearsal; the lower woodwinds and lower strings anchor the harmonic foundation throughout.

How to use it

Pair this work with other Russian tone poems to create a thematic concert, or use it as a bridge between Tchaikovsky and early 20th-century orchestral works to illuminate continuity in the nationalist tradition. Its modest scale and refined character also make it an excellent centerpiece for a chamber orchestra concert or a thoughtful palate cleanser between heavier symphonic works.