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Playing Guitar in Jazz Band: Guitar Book & CD

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Playing Guitar in Jazz Band Cover Image

Playing Guitar in Jazz Band: Guitar Book & CD

A Practical Guide for Students and Teachers

By David Sinclair

Item: 00-35431

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Description
Playing Guitar in Jazz Band is for beginning to intermediate guitarists who are interested in playing in a jazz big band. Playing this style of guitar can be challenging, as the chord changes are often complex, yet the guitar parts should remain simple enough to avoid detracting from the overall sound of the band. This book breaks down that process by substituting difficult chord shapes with more flexible voicings that are designed to sound good on the guitar. Learn a wide variety of rhythmic patterns and work with authentic chord charts that are exactly like the ones you will encounter in real-life situations. This is the perfect crash course for students who have just joined their first jazz band and the ideal companion for music teachers who want to better understand the role of the guitar in their ensemble. A CD demonstrating the examples in the book is included.

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Sample Pages

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Sample Audio
1 Diminished 7th Chords --:--
2 G Major Scale --:--
3 Song Example --:--

Diminished 7th Chords

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Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-7119-X
ISBN13: 978-0-7390-7119-9
UPC: 038081396316
SKU: 00-35431

More about this title

Why we love this

This book solves a real, specific problem: guitarists joining jazz band often struggle because classical or rock voicings muddy the ensemble sound, while authentic jazz comping demands years of study. Sinclair strips away the intimidation by teaching practical voicings and rhythmic patterns that work immediately, letting beginning players contribute meaningfully without overshadowing the horns. The included CD grounds everything in actual sound, so students hear exactly what these voicings should do in context.

What to expect

The confidence that comes from finally understanding your role. Instead of fighting unfamiliar chord shapes or guessing at rhythm, you're learning voicings built for guitar and patterns that sit naturally behind a big band's groove.

Who it's for

Beginning to intermediate guitarists who have just joined a jazz ensemble and need to understand how their instrument functions in that context. This is equally valuable for band directors who work with guitarists but lack jazz guitar experience themselves and want to guide their players effectively.

How to get the most out of it

  • Treat the chord chart as a conversation, not a prison. Once you're comfortable with the basic voicing, listen to what the bass player is doing and adjust your rhythm to lock with the drummer's cymbal pattern.
  • Start with minimal movement between chords. The less you travel on the fretboard, the cleaner your comping sounds and the more you can focus on rhythmic placement.
  • Learn the voicings in multiple positions on the neck so you're not always camped in one area. This flexibility lets you stay out of the pianist's register and adapt to different key signatures without stress.

How to use it

Use this as a standalone resource for any guitarist joining the jazz band mid-year or at the start of a program. The 48-page format means students can work through it independently while you focus rehearsal time on ensemble blend and section interaction. Teachers benefit from the book equally, as it clarifies guitar's role so you can coach your guitarist with specificity.

Skills your students will build

  • Jazz chord voicings and voice leading suited to guitar
  • Comping rhythms in swing, bebop, and other jazz feels
  • Reading and interpreting real lead sheets and jazz chord charts
  • Understanding harmonic function in a big band setting
  • Coordinating rhythm with bass and drums

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