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Play That Funky Music: Jazz Ensemble Conductor Score & Parts

$42.00 USD
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Play That Funky Music Cover Image

Play That Funky Music: Jazz Ensemble Conductor Score & Parts

Words and music by Robert Parissi / arr. Mike Story

Grade: 1 (Easy)

Item: 00-30617

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Description
Yes, your young band can be funky---but only arranger Mike Story can take a pop tune like "Play That Funky Music" and make it come alive for the young jazz ensemble. Simple rhythms, effective and colorful harmony, and easy written solos for trumpet and trombone are only a few highlights. Easy to assemble and great fun! (3:02)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Play That Funky Music: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 54
UPC: 038081341729
SKU: 00-30617

More about this title

About the Composer: Robert Parissi

Robert Parissi is best known as the founder and lead singer of Wild Cherry, the funk and rock band that made "Play That Funky Music" a chart-topping hit in 1976. His ability to craft infectious grooves and memorable melodies helped define the sound of 1970s pop and funk music.

For music educators, Parissi's original composition remains a gateway into funk vocabulary for young musicians. The song's straightforward structure and irresistible rhythm have made it a natural fit for educational arrangements across multiple levels and ensembles.

Why we love this

Mike Story's arrangement captures everything that makes this tune work: the funky pocket, the accessibility, the pure joy of playing something recognizable. Young ensembles nail the groove instantly, which builds confidence and momentum early in the jazz curriculum when students need immediate musical payoff.

What to expect

Pure, unfiltered funk energy wrapped in an arrangement that respects the original without overwhelming young musicians. The rhythm section gets to feel the pocket, the horns get memorable lines to own, and the whole ensemble leaves rehearsal grinning because they just played something that actually grooves.

Who it's for

First-year and second-year jazz ensemble students who are still building fundamentals in swing articulation, jazz phrasing, and section blend. Conductors teaching young ensembles need accessible material that feels authentic to the genre without requiring advanced solo vocabulary or complex time signatures.

How to get the most out of it

  • Lock the rhythm section (bass, drums, piano) together first. The funk sits entirely on their pocket; once that's solid, the horns and melody section will find their place naturally.
  • Keep the written trumpet and trombone solos conversational rather than aggressive. These parts are designed to be accessible, so let the humor and infectious melody carry them.
  • Emphasize the syncopation in the horn lines without dragging. Young players often push behind the beat when they encounter funk rhythms; keep them honest and ahead of the pulse.
  • Don't oversell the dynamics. The arrangement's colorful harmony does the heavy lifting; let the natural brightness of well-tuned brass speak for itself.

How to use it

Program this as a first-half closer on a concert featuring early jazz ensemble charts. It pairs well with straight-ahead blues heads and other simple forms, and it gives audiences what they came for: young musicians having undeniable fun with a tune everyone knows.

Skills your students will build

  • Funk articulation and feel (crisp tonguing without pushing behind the beat)
  • Reading and executing syncopated rhythms in a groove context
  • Improvisation basics through guided solo sections
  • Section balance in a jazz rhythm section (bass, drums, piano)
  • Swing eighth-note interpretation in a modern funk setting

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