Pippin: Sheet Music from the Broadway Musical Cover Image

Pippin: Sheet Music from the Broadway Musical: Piano Book

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Pippin: Sheet Music from the Broadway Musical Cover Image

Pippin: Sheet Music from the Broadway Musical: Piano Book

Music and lyrics by Stephen Schwartz / arr. Dan Coates

Level: Easy Piano

Item: 00-44015

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Description
This updated songbook, newly-arranged for easy piano by Dan Coates, was produced in direct consultation with composer Stephen Schwartz to follow the smash 2013 Broadway revival of Pippin. Featuring updated lyrics and chord symbols, this book is sure to please Broadway fans young and old. Titles: Magic to Do * Corner of the Sky * Simple Joys * No Time at All * With You * Spread a Little Sunshine * Morning Glow * Kind of Woman * Extraordinary * Love Song * I Guess I'll Miss the Man * Pippin (Finale).

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Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-1901-6
ISBN13: 978-1-4706-1901-5
UPC: 038081493893
SKU: 00-44015

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz is a Tony Award-winning composer and lyricist whose theatrical work spans five decades. He wrote the scores for Pippin, The Magic Show, and Godspell in the 1970s, establishing himself as a master of accessible, character-driven musical theater. His later compositions include Wicked, Anastasia, and Ragtime, each demonstrating his gift for melody that serves story and emotion. In music education settings, his work is prized for combining sophisticated harmony with singable, memorable lines that engage students across skill levels.

Why we love this

Schwartz's melodies are built to stick with pianists from the first reading, and Dan Coates's arrangements for easy piano preserve the emotional arc of each song without overwhelming the hands. The collection includes both the showstopping theatrical moments and the intimate character songs, giving young pianists a genuine taste of Broadway storytelling. Programming selections from this book lets students experience how music serves narrative, not just technique.

What to expect

Pippin carries the infectious optimism and theatrical flair of 1970s Broadway, with moments of genuine tenderness alongside exuberant ensemble energy. These arrangements capture that spirit: the opening "Magic to Do" sparkles with possibility, "Corner of the Sky" soars with yearning, and "Simple Joys" offers warmth and reflection. Even at easy level, the music feels substantial and emotionally honest.

Who it's for

Young pianists who want to play real Broadway music without years of technique as a prerequisite. High school students exploring musical theater, adult learners returning to piano, and intermediate students seeking repertoire that connects to film and stage versions they know and love.

How to get the most out of it

  • Shape the phrasing around the lyrics even when playing instrumental versions; let the text guide your breathing and rubato.
  • The chord symbols invite improvisation and transposition. Once you're comfortable with the notation, try playing a favorite song in different keys to build fluency.
  • Balance the melody against accompaniment patterns so the tune always sings forward; easy arrangements can collapse into monotony if inner voices aren't heard.
  • Approach tempo markings as guides, not absolutes. Test different speeds in rehearsal to find where the harmonic movement feels most natural to your hand.

How to use it

Feature a solo or duet from this collection on a recital celebrating Broadway and musical theater, or pair selections with a choral arrangement of another Schwartz work for a thematic concert. Students preparing for auditions at musical theater programs will find these pieces valuable for understanding how composers craft character through melody. The book also works beautifully as a teaching tool: assign one song per week across a semester to build sight-reading fluency alongside music literacy.

Skills your students will build

  • Reading and executing chord symbols and lead-sheet notation
  • Balancing melody against accompaniment textures
  • Connecting lyrical phrasing to instrumental interpretation
  • Playing with theatrical expression and dynamic shaping
  • Transposing songs to different keys for flexibility

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