Pippin: Choral Highlights: SATB Choral Octavo
Choral Highlights
Music and lyrics by Stephen Schwartz / arr. Lisa DeSpain
Item: 00-PO-0001968
Minimum order quantity: 20 copies
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About the Composer: Stephen Schwartz
Stephen Schwartz has composed some of Broadway's most enduring scores, from Godspell and Wicked to Pippin and The Magic of Doing. His work spans musical theater, film, and concert music, marked by elegant melodies, sophisticated harmonies, and lyrics that deepen character and story. Schwartz's contributions to music education have been substantial; his scores are performed in schools and community theaters worldwide, introducing young singers to Broadway storytelling at every level.
Why we love this
This medley distills the theatrical magic of Pippin into five minutes of pure choral joy, and Lisa DeSpain's arrangement preserves the show's signature sound while remaining genuinely singable for high school and community choirs. The pacing moves through moments of wonder, humor, and theatrical sparkle without demanding a massive vocal or technical toll, making it a smart choice for concert programs where you want professional-caliber material that won't monopolize your rehearsal calendar.
What to expect
A whirlwind tour through Pippin's emotional landscape: moments of introspection and beauty, sudden bursts of theatrical energy, playful humor, and genuine wonder. The arrangement sparkles without becoming precious; it feels like stepping into the world of the show itself, even in a concert setting.
Who it's for
High school and community choirs with solid sight-reading skills and comfort with contemporary musical theater idiom. Singers in this medley move through multiple musical moments, so your section leaders should be secure readers, but the ranges are reasonable and the parts are singable without extreme demands.
How to get the most out of it
- Shape the legit vocal lines with the ease and brightness Schwartz favors; this isn't heavy musical theater belting but rather a lifted, classical approach that lets the counterpoint and harmony sing.
- Use the recorded accompaniment strategically during rehearsal to lock the choir's entrances and harmonic balance, then work toward a cappella sections or light accompaniment to build ownership of the music.
- Balance the dramatic moments against the lighter, comedic sections; Pippin shifts tone rapidly, and your singers need permission to shift with it rather than singing everything at the same dynamic or emotional weight.
- Pay attention to the phrasing between sections; the medley format means some transitions are tight, so marking breath points and cue phrases in rehearsal prevents the piece from feeling like separate songs.
How to use it
Program this as a centerpiece for a theater-focused concert, or pair it with other contemporary musical theater selections to showcase your choir's range in popular repertoire. At five minutes, it's substantial enough to anchor a set but nimble enough to fit alongside classical or traditional pieces without throwing off your program's balance.
Skills your students will build
- Singing contemporary musical theater idiom with legit tone quality
- Managing harmonic complexity across multiple SATB sections
- Theatrical phrasing and interpretation of text within a medley structure
- Coordination with recorded accompaniment and dynamic ensemble listening