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Ping Pong: Piano Sheet

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Ping Pong Cover Image

Ping Pong: Piano Sheet

By Margaret Goldston

Level: Elementary

Item: 00-19731

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Description
Staccato patterns, back and forth between the hands, along with contrasting legato phrases and changes in dynamics make this descriptive elementary level piece a lot of fun for the beginning piano student.

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Additional Details
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-1268-1
ISBN13: 978-0-7390-1268-0
UPC: 038081185866
SKU: 00-19731

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) was a North Carolina-based composer and educator who shaped generations of young musicians through her private studio while maintaining an active presence as a clinician and convention speaker. Her formal training included a Bachelor of Music degree in piano performance from Louisiana State University, where she later received the School of Music Alumnus of the Year award in 1991, and private composition study with Pulitzer Prize winner Robert Ward.

Goldston's contributions to music education earned her the Composer of the Year designation from the North Carolina Federation of Music Clubs in both 1983 and 1994. Her works became fixtures on competition festival lists, particularly through the NFMC Junior Festivals Bulletin, and her impact on the field was recognized posthumously when the Music Teachers National Association honored her as a Foundation Fellow in 2020.

Why we love this

Goldston captures something genuinely playful here without resorting to twee sentimentality or oversimplification. The back-and-forth hand work creates real musical interest while remaining within reach of a student's coordination, and the contrast between staccato patterns and legato phrases teaches genuine musical vocabulary at the elementary level.

What to expect

Ping Pong captures the back-and-forth rhythm of its namesake with genuine musical wit. The interplay between staccato bursts and smooth, connected phrases creates a sense of friendly competition, while the dynamic shifts add drama and personality to what could have been a simple technical exercise.

Who it's for

This piece is ideal for beginning pianists around late first or early second year of study who are ready to coordinate independent hand parts with contrasting articulations. It works especially well for students who have basic five-finger patterns and hand independence but benefit from an engaging musical context to develop those skills further.

How to get the most out of it

  • Shape the staccato patterns with clear articulation but avoid letting them feel rigid; think of the back-and-forth motion as a natural, bouncy exchange rather than mechanical alternation.
  • Listen for the balance between hands during the legato sections. The melody line should sing through without being overpowered, especially when the accompaniment hand is active.
  • Use the dynamic changes as a roadmap for narrative pacing. These shifts in volume and texture give the "ping pong" dialogue real character and help prevent the piece from feeling monotonous.

How to use it

Include this in a student recital or informal performance to give young pianists a piece with personality and storytelling potential. Its descriptive title and straightforward musical content make it engaging for both performer and audience, and it pairs well alongside other elementary character pieces in a mixed program.

Skills your students will build

  • Independent hand coordination with contrasting articulations (staccato in one hand, legato in the other)
  • Staccato technique with rhythmic precision
  • Dynamic shaping and musical expression at an elementary level
  • Reading and executing legato phrasing
  • Hand position stability during quick alternation between hands

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