Pine Ridge Rag Cover Image

Pine Ridge Rag: Concert Band Conductor Score & Parts

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Pine Ridge Rag Cover Image

Pine Ridge Rag: Concert Band Conductor Score & Parts

By Neil Hunter / arr. David Marlatt

Grade: 2

Item: 81-CB220402

$60.00
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Description
The rag, popularized by Scott Joplin and others of his time, is a musical form still enjoyed by the audiences of today. Neil Hunter has cleverly captured the spirit, rhythms, and color of the rag in Pine Ridge Rag. It features each member of the ensemble in a jaunty ragtime setting. Technically accessible to high school level players, it is a lighthearted addition to any program.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-717-7
ISBN13: 978-1-77157-717-5
UPC: 685462027187
SKU: 81-CB220402

More about this title

Why we love this

Neil Hunter nails the infectious energy of ragtime without asking for virtuosic technical demands. This is the kind of piece that lets your ensemble have genuine fun while staying musically substantive, and audiences respond to that joy instantly. Grade 2 accessibility paired with genuine stylistic authenticity makes programming decisions easy.

What to expect

Jaunty, striding, and full of personality. Pine Ridge Rag moves with the swagger of early American ragtime, offering moments where individual sections shine while the ensemble keeps the syncopated pulse rolling. It's celebratory without being overwrought.

Who it's for

High school concert bands looking for a Grade 2 piece that doesn't sound simplified or condescending. Directors seeking repertoire that entertains audiences, builds student confidence in a rhythmically engaging style, and works well as a concert closer or lighter concert moment.

How to get the most out of it

  • Keep the rhythmic figures clean and articulate, particularly in the syncopated passages. Ragtime thrives on precision, not rushing.
  • Balance the solo spotlights so each section feels featured rather than featured-and-exposed. This is an opportunity to build ensemble confidence across the band.
  • Lock the rhythmic foundation in the low reeds and brass early in rehearsals. Once that grid is solid, the syncopation on top settles naturally.

How to use it

This works perfectly as a concert finale where audiences expect to leave smiling, or as a palate cleanser between heavier contemporary or classical works. It also pairs naturally with other American music of the early 20th century, giving your program historical and stylistic coherence.

Skills your students will build

  • Syncopation and ragtime rhythmic figures
  • Articulation clarity in fast-moving passages
  • Balancing solo lines within an ensemble context
  • Style-specific interpretation and groove awareness

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