Pine Mountain: Cello Sheet Music Preview

Pine Mountain: Cello

By Katie O'Hara LaBrie

Grade: 1.5

Item: 00-PC-0019447_VC1

Digital Download
$3.00
Description
Get ready to stomp your feet and capture the enduring spirit of the Appalachian Mountains! This original fiddle tune by Katie O'Hara LaBrie uses a fun pentatonic melody supported by cool effects such as double stops, chopping with the bow, and slapping the bass. Pine Mountain is certain to be a good time! (2:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pine Mountain: Cello comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: MakeMusic Developing Strings
Publisher: MakeMusic Publications
SKU: 00-PC-0019447_VC1

More about this title

About the Composer: Katie O'Hara LaBrie

Katie O'Hara LaBrie

Katie O'Hara LaBrie is a composer, conductor, cellist, and clinician based in Northern Virginia who spent 15 years teaching orchestra in Fairfax County schools. She earned her Bachelor of Music in Music Education from St. Olaf College and her Master of Music in Instrumental Conducting from George Mason University.

LaBrie's compositions emerge from her deep commitment to music education, drawing inspiration from family, nature, and her extensive classroom experience. Her work prioritizes educational soundness, audience appeal, and student enjoyment. She has been recognized as a J.W. Pepper Editor's Choice recipient, performed at the Midwest Band and Orchestra Directors Clinic and American String Teachers Association Conference, and honored in 2022 as one of Yamaha's "40 Under 40" for her impact on music education. She founded the Fairfax Chamber Players and co-created "the Big IDEA" practice method.

Why we love this

Pine Mountain captures authentic Appalachian character while staying true to Grade 1.5 accessibility, which is a rare balance. The scoring builds excitement gradually through double stops and rhythmic articulation without overwhelming early ensembles, and the pentatonic melody sits naturally under young fingers.

What to expect

Pine Mountain swings with the unbridled energy of a mountain fiddle tune, complete with foot-stomping rhythms and Appalachian warmth. The pentatonic melody feels instantly singable and memorable, while the bow effects and double stops add texture and movement without sacrificing the straightforward, celebratory spirit at the heart of the music.

Who it's for

String orchestras at the early intermediate level (approximately Grades 1-2) who want engaging, performable repertoire with genuine folk character. This works equally well for festival showcases, pops concerts, or ensemble clinics where joy and energy matter as much as technical polish.

How to get the most out of it

  • Emphasize the rhythmic vitality of the "chopping" bow technique in rehearsal; isolate this on a few measures, have students execute the motion slowly with full bow control, then gradually bring tempo up.
  • Balance the double stops carefully so they enhance rather than muddy the overall sound. Assign divisi thoughtfully and check that intonation between parts remains clear.
  • Use the slapping bass effects as rhythmic anchors for the ensemble. These moments often help younger cellists and basses lock into the groove of the piece.

How to use it

Place this early in your program to energize the audience and your ensemble, or use it as a contest piece where its combination of accessibility and personality earns recognition without requiring virtuosic technique. It pairs beautifully alongside other American folk or contemporary works that celebrate regional traditions.

Skills your students will build

  • Double stop intonation and balance
  • Articulated bow technique (chopping and slapping)
  • Pentatonic melody reading and phrasing
  • Rhythmic precision in a moderate tempo swing feel
  • Ensemble cohesion in folk-based idioms

You May Also Like