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Pieces de Clavecin: Organ Book

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Pieces de Clavecin Cover Image

Pieces de Clavecin: Organ Book

The Complete Harpsichord Suites

By Louis-Claude Daquin

Item: 12-0571506526

$22.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50652-6
ISBN13: 978-0-571-50652-1
UPC: 9780571506526
SKU: 12-0571506526

More about this title

About the Composer: Louis-Claude Daquin

Louis-Claude Daquin (1694, 1772) was a French organist and composer whose keyboard works showcase the refined elegance of French Baroque music. His virtuosity at the organ was legendary in 18th-century Paris, and his compositions reflect both technical brilliance and the ornamental style that defined French harpsichord and organ writing of his era.

Daquin's *Pièces de Clavecin* represent some of the most accomplished keyboard music of the period, balancing accessibility with genuine musical sophistication. His writing influenced later organists and remains a vital resource for students exploring the technical and stylistic demands of Baroque keyboard performance.

Why we love this

Daquin's keyboard collections offer organists both music that actually sounds impressive and material worth serious practice. The Faber Edition makes these works practical for students building their Baroque repertoire without compromising the ornate, characterful writing that experienced players will recognize as genuinely musical.

What to expect

Elegant and ornate yet never precious, these pieces move with the clarity and intelligence of 18th-century French style. There's genuine virtuosity embedded in the passagework and a refined sense of harmonic direction that rewards thoughtful interpretation.

Who it's for

This collection suits intermediate-to-advanced organists and harpsichordists ready to tackle authentic Baroque keyboard literature. Students developing performance skills in French Baroque style will find genuine models of compositional craft and idiomatic writing for their instrument.

How to get the most out of it

  • Shape ornaments with clarity and direction rather than treating them as decoration; each passage should support the overall phrase arc
  • Balance the independence of voices without muddying texture; French Baroque music thrives on clarity even when multiple lines are active
  • Match articulation between hands precisely, especially in running passages, to create the unified technical effect Daquin intended

How to use it

Feature these works on a recital devoted to French Baroque keyboard music, or use individual pieces to broaden the stylistic range of a mixed Baroque program. They work particularly well for organists programming music that demonstrates both technical command and compositional substance.

Skills your students will build

  • Ornamentation interpretation in French Baroque idiom
  • Contrapuntal independence between hands
  • Clarity and balance in multi-voice keyboard textures
  • Period-appropriate articulation and phrasing
  • Technical facility in passagework and runs
  • Understanding French Baroque harmonic language

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