Piece in B-flat, Opus 22 Cover Image

Piece in B-flat, Opus 22: Oboe Part(s)

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Piece in B-flat, Opus 22 Cover Image

Piece in B-flat, Opus 22: Oboe Part(s)

By Henri Busser

Item: 00-K04509

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Description
An Oboe solo, composed by Henri Busser.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Piece in B-flat, Opus 22: Oboe Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7579-1213-3
ISBN13: 978-0-7579-1213-9
UPC: 654979058717
SKU: 00-K04509

More about this title

About the Composer: Henri Busser

Henri Busser (1872-1973) was a French composer, conductor, and organist whose career spanned nearly a century. He studied at the Paris Conservatoire and won the Prix de Rome in 1905, establishing himself as a significant voice in French musical life during the early 20th century. Busser composed extensively across genres—operas, ballets, symphonies, and chamber works—while also serving as conductor of the Opéra-Comique and later as professor of composition at the Conservatoire.

His instrumental works are marked by elegant phrasing, sophisticated harmonic language, and a gift for writing idiomatically for individual instruments. Busser's music reflects the refinement of French musical tradition while engaging with modernist developments of his era. His solo pieces for woodwinds remain valuable additions to the recital and competition repertoire.

Why we love this

Busser's Opus 22 offers oboe students and performers music that demands both technical precision and lyrical sensitivity. The work sits comfortably in the contest and festival circuit, providing meaningful material that challenges without overwhelming, and it represents the kind of sophisticated European oboe writing that develops a player's musicianship beyond mechanics alone.

What to expect

The piece carries the elegance and harmonic refinement characteristic of early 20th-century French composition. Its 28 pages suggest a substantial work that balances lyrical passages with moments of technical display, inviting the oboist to inhabit a world of subtle expression and refined musicality.

Who it's for

This work is ideal for intermediate to advanced oboe soloists preparing for competitions, festivals, or recitals. It serves musicians ready to engage with art music of substance and sophistication, where technical facility and interpretive maturity matter equally.

How to get the most out of it

  • Approach the phrasing with the legato sensibility of French woodwind tradition; long, singing lines are as important as individual note clarity.
  • Let the harmonic progressions guide your interpretive choices; Busser's harmonic language is sophisticated, and respecting those chord movements will shape your rubato naturally.
  • Balance technical passages with the overall architectural shape of the piece; virtuosity serves the musical narrative, not the reverse.
  • Attend to dynamic subtlety across the full range of the oboe; the work likely explores the instrument's full spectrum, and nuanced control in both low and high registers is essential.

How to use it

Program this alongside other European oboe solos to create a recital segment that showcases the oboe's lyrical capabilities and technical range. It pairs naturally with Romantic and early modernist chamber works, offering audiences a taste of sophisticated instrumental writing that appeals to both player and listener.

Skills your students will build

  • Sustaining long, shaped phrases across registers
  • Navigating sophisticated harmonic language with interpretive authority
  • Technical control in rapid passages and extended range
  • Stylistic understanding of early 20th-century French compositional aesthetics
  • Building performance stamina over an extended solo work

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