Piece en Forme de Habanera, M. 51 Cover Image

Piece en Forme de Habanera, M. 51: Woodwind Duo & Ensemble, Quintet, Conductor Score & Parts

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Piece en Forme de Habanera, M. 51 Cover Image

Piece en Forme de Habanera, M. 51: Woodwind Duo & Ensemble, Quintet, Conductor Score & Parts

By Maurice Ravel, ed./arr. by Clark S. Kessler

Item: 36-M224591

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Description
Maurice Ravel (1875-1937), like many French composer of the time, tried his hand at writing the habanera in 1907, a Cuban dance which was very popular in Spain at the end of the 19th century. Originally written as a vocal etude titled Vocalise-étude en forme de Habanera, the work was quickly adapted for various solo instruments and retitled Pièce en Forme de Habanera. This transcription for woodwind quintet of Ravel's delightful work was completed by Clark S. Kessler. Reprint of the French edition.

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Additional Details
Series: Master Woodwind Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563945-6
ISBN13: 979-889-563-9450
UPC: 612735999674
SKU: 36-M224591
Instrumentation: Woodwind Quintet

More about this title

About the Composer: Maurice Ravel

Maurice Ravel (1875-1937) was a French composer whose fastidious orchestrations and harmonic innovations shaped early 20th-century music. He approached each composition with meticulous craftsmanship, often revising and reworking pieces across different instrumental combinations. His engagement with Spanish and Latin American idioms, including the habanera, reflects his curiosity about musical traditions beyond the European concert hall.

Why we love this

Ravel's gift for translating intimate vocal material into instrumental color comes through brilliantly in this quintet arrangement. The habanera's sensual rhythm and the piece's economical length make it an audience favorite that doesn't require extensive rehearsal time. Kessler's transcription balances solo features across the ensemble, giving every player a moment to shine.

What to expect

A sensual, unhurried dance infused with sophisticated harmonies and impressionistic color. The piece exudes elegance without pretension, with a warmth that comes from Ravel's original vocal writing now distributed across five instrumental voices.

Who it's for

Woodwind quintet ensembles at the intermediate to advanced level will find this piece accessible yet refined. It suits community ensembles, university groups, and serious high school quintets looking to program a 20th-century French classic that audiences recognize and enjoy.

How to get the most out of it

  • Shape the habanera rhythm with subtle flexibility rather than metronomic strictness; the dance should breathe and sway, never march.
  • Balance the soloistic passages in the flute and oboe against the supporting harmonies so the melody always projects without the accompaniment receding into the background.
  • Use dynamic shaping within phrases to highlight Ravel's harmonic motion; his chromatic voice-leading often works best when each shift is allowed to register.
  • Coordinate articulation across the quintet during rhythmic unison passages to maintain the piece's luminous texture.

How to use it

Program this alongside lighter French or Spanish-influenced works to create a thematic evening, or use it as a charming concert opener that establishes sophistication and captures attention immediately. Its compact length and audience appeal make it ideal for mixed recital programs or chamber music festivals.

Skills your students will build

  • Playing with rhythmic flexibility within a steady pulse (habanera rhythm interpretation)
  • Balance and blend in chamber ensemble with multiple solo voices
  • Chromatic harmonic voice-leading and harmonic relationships
  • Stylistic nuance in early 20th-century French composition

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