Pictures at an Exhibition, Part 4: Promenade; Ballet of the Chicks in Their Shells; Two Jews, One Rich, The Other Poor Cover Image

Pictures at an Exhibition, Part 4: Promenade; Ballet of the Chicks in Their Shells; Two Jews, One Rich, The Other Poor: Concert Band Conductor Score & Parts

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Pictures at an Exhibition, Part 4: Promenade; Ballet of the Chicks in Their Shells; Two Jews, One Rich, The Other Poor Cover Image

Pictures at an Exhibition, Part 4: Promenade; Ballet of the Chicks in Their Shells; Two Jews, One Rich, The Other Poor: Concert Band Conductor Score & Parts

By Modest Mussorgsky / arr. John Boyd

Grade: 5

Item: 36-10100411

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This is an impressive and massive work for mature bands! Boyd's setting is not a simple rehashing of the famous Ravel orchestration, as Boyd remains more faithful to the bold musical language of Mussorgsky's original composition. This exciting work fits the bill for better high school and college bands, yet is substantial enough to meet the needs of professional organizations as well. The work is available in its entirety with all seven sections and the score included at a value-minded price, or each of the individual sections may be ordered individually as a set of parts only and the complete score (10105314) may be purchased separately should only certain sections be of interest. The sections include: Part 1: Promenade; Gnomus-Gnomus. Part 2: Promenade; Il Vecchio Castello.Part 3: Promenade; Tuileries; Bydlo. Part 4: Promenade; Ballet Of The Chicks In Their Shells; Two Jews, One Rich, The Other Poor; Promenade. Part 5: Limoges-The Market Place; Catacombae; Cum Mortuis In Lingua Mortua. Part 6: The Hut On Fowl's Legs. Part 7: The Great Gate Of Kiev.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Pictures at an Exhibition, Part 4: Promenade; Ballet of the Chicks in Their Shells; Two Jews, One Rich, The Other Poor: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296735-2
ISBN13: 978-1-68-296735-5
UPC: 753625383507
SKU: 36-10100411
Instrumentation: Concert Band

More about this title

About the Composer: Modest Mussorgsky

Modest Mussorgsky (1839-1881) was a Russian composer who fundamentally reshaped what orchestral music could express. Working outside traditional academic training, he developed a boldly original harmonic language and refused to smooth over rough edges in pursuit of technical polish. Pictures at an Exhibition stands as his masterpiece: a piano suite of vivid, unapologetic musical portraits that captures both grandeur and intimate character with equal force.

Mussorgsky's influence on twentieth-century composition is immense, yet his work remained controversial during his lifetime. He died in poverty, and much of his music was "corrected" by later composers. Modern conductors and arrangers, including John Boyd, have returned to Mussorgsky's original scores to honor his distinctive voice and raw compositional power.

Why we love this

Boyd's arrangement captures the unpolished vitality of Mussorgsky's original language rather than settling for a diluted version of the Ravel orchestration that dominates concert programs. The work demands maturity from your ensemble but rewards that investment with music that feels genuinely substantial and theatrically compelling. Programming this signals that your band engages with serious repertoire that challenges both musicians and audiences.

What to expect

A vivid journey through contrasting musical landscapes, each with its own personality and emotional weight. The work swings from grand ceremonial processions to intimate character sketches with sharp specificity. You'll hear Mussorgsky's distinctive harmonic voice throughout: bold, sometimes dissonant, and unapologetically direct.

Who it's for

Accomplished high school bands and college ensembles ready to engage with a canonical masterwork. This arrangement also serves professional organizations seeking fresh approaches to a beloved standard. The Grade 5 rating reflects the maturity demanded in phrasing, balance, and interpretive responsibility rather than technical virtuosity alone.

How to get the most out of it

  • Study the sectional organization carefully during sectional rehearsals; each tableau has distinct character and orchestration, so isolate and shape them individually before integrating the full work.
  • Balance the promenade sections as connective tissue rather than background material. They should feel like purposeful transitions between vivid scenes, not mere fillers.
  • Attend to Mussorgsky's original harmonic language in this Boyd setting. Allow unexpected chord progressions and dissonances to speak clearly; resist the urge to smooth them into more conventional sonorities.
  • Mark tempo relationships across sections. The ballet and character pieces move at different speeds, and clarity about these shifts will help the band maintain architectural coherence across the full work.

How to use it

This substantial work commands its own concert or forms the centerpiece of a program exploring Russian symphonic music. Consider pairing it with contrasting shorter works to allow the Pictures' scope to dominate without exhausting the ensemble or audience. It works effectively as a season finale, demonstrating the artistic range your band has developed across the year.

Skills your students will build

  • Executing sectional transitions and maintaining coherence across contrasting tempos and meters
  • Balancing thick harmonic textures while preserving transparency and linear clarity
  • Responding to unconventional harmonic progressions and dissonant colorations with musical intent
  • Shaping character pieces with distinct personality and phrasing depth
  • Reading and executing complex concert band scoring with multiple independent lines

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