Pictures at an Exhibition Cover Image

Pictures at an Exhibition: String Orchestra Conductor Score & Parts

$85.00 USD
Sale price  $85.00 USD Regular price 
Skip to product information
Pictures at an Exhibition Cover Image

Pictures at an Exhibition: String Orchestra Conductor Score & Parts

By Modest Mussorgsky / arr. Carrie Lane Gruselle

Grade: 4

Item: 98-ST6175

Need it now?

Buy Digital Version
$85.00
Shipped

One moment…

Description
Incredible! The symphonic setting of this 19th century masterpiece has been masterfully adapted for string orchestra. The work includes the opening Promenade, The Gnome, The Old Castle, The Tuileries Gardens - Children Quarrelling at Play, The Ballet of the Unhatched Chicks, The Hut of Baba-Yaga, and The Great Gate of Kiev. The perfect centerpiece for any concert and a stunning way to introduce students to Mussorgsky's masterwork.

Pictures at an Exhibition: String Orchestra Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398224746
SKU: 98-ST6175

More about this title

About the Composer: Modest Mussorgsky

Modest Mussorgsky (1839-1881) was a Russian composer who rejected the conservatory training of his era in favor of a more direct, nationalist approach to composition. His bold harmonies and vivid orchestration influenced generations of composers, and his work stands as a cornerstone of Russian musical identity.

Pictures at an Exhibition, originally written for solo piano in 1874, has become one of the most frequently orchestrated works in the classical canon. Mussorgsky's program music captures visual impressions with remarkable specificity, making it an ideal teaching tool for showing how composers translate imagery into sound.

Why we love this

This string arrangement preserves the dramatic arc and vivid character of Mussorgsky's original while remaining fully accessible to intermediate orchestras. The spectral variety across movements keeps students engaged through the entire work, and the famous architecture of "The Great Gate of Kiev" finale gives concerts a guaranteed emotional payoff.

What to expect

A journey through a gallery of wildly contrasting moods: whimsical, eerie, delicate, mischievous, grotesque, and ultimately triumphant. The Mussorgsky original speaks in bold colors, and this string setting honors that boldness while capturing intimate moments of genuine beauty.

Who it's for

String orchestras at the intermediate level looking for a major work that showcases growth without demanding professional-level virtuosity. Students who have spent a year or two building foundational ensemble skills will find enough challenge here to stay motivated.

How to get the most out of it

  • Balance the Promenade's strolling quality by keeping the tempo conversational rather than rigid; this sets the tone for the entire arc of the piece.
  • Differentiate each movement's personality sharply: The Gnome should feel angular and unsettling, while The Old Castle benefits from a wistful, sustained approach.
  • Let the lighter sections (Ballet of the Unhatched Chicks, Tuileries) breathe with rhythmic flexibility; they're the comic relief before the darkness of Baba-Yaga.
  • Invest in full orchestral sound for the final movement, especially the brass-like writing in the upper strings. This monument deserves gravitas.

How to use it

Position this as the anchor work on a concert celebrating cultural traditions or 19th-century masterworks. Its episodic structure also makes it an excellent choice for a thematic program that juxtaposes it with contemporary works inspired by visual art.

Skills your students will build

  • Sustaining lyrical lines while maintaining rhythmic precision across multiple movements
  • Shifting between contrasting articulations and characters within a single work
  • Listening to and balancing harmonic color in non-traditional chord progressions
  • Navigating sectional independence while supporting a cohesive orchestral narrative

You May Also Like