Pictures at an Exhibition Cover Image

Pictures at an Exhibition: Trumpet and Organ Score & Parts

$45.00 USD
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Pictures at an Exhibition Cover Image

Pictures at an Exhibition: Trumpet and Organ Score & Parts

By Modeste Mussorgsky / arr. Vincent DiMartino

Level: Difficult

Item: 81-ST1174

$45.00
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Description
This tour-de-force for trumpet and organ was recorded by the arrangers in 1997 and they have been asked, by many players, if their arrangement was available. Brilliant organ registrations and a variety of trumpets and mutes make this epic piece great to perform and to listen to.

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Sample Pages

Sample Audio
1 01 Promenade --:--
2 02 Gnomus --:--
3 03 Promenade --:--
4 04 Il Vecchio Castello --:--
5 05 Promenade --:--
6 06 Tuileris --:--
7 07 Bydlo --:--
8 08 Promenade --:--
9 09 Ballet of the Chicks --:--
10 10 Two Polish Jews --:--
11 11 Promenade --:--
12 12 Limoges --:--
13 13 Catacombe --:--
14 14 Con Mortuis in Lingua Mortua --:--
15 15 Baba Yaga --:--
16 16 Great Gate of Kiev --:--

01 Promenade

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Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-770-2
ISBN13: 978-1-55473-770-3
UPC: 685462017713
SKU: 81-ST1174

More about this title

About the Composer: Modest Mussorgsky

Modest Mussorgsky (1839-1881) was a Russian composer whose piano suite "Pictures at an Exhibition" stands as one of the most performed and reimagined works in classical music. Originally composed in 1874 as a memorial to a friend, the suite captures ten paintings with vivid orchestration and harmonic innovation that was radical for its time. His unapologetic approach to form and harmony influenced generations of composers and made his music endlessly adaptable to new instrumentations.

Mussorgsky wrote for the piano first and the ear second, creating music that demands bold interpretation rather than refinement. His legacy rests not just on the original suite but on how his compositional vision survives and thrives in arrangements across ensembles, from full orchestras to brass and keyboard combinations like this one.

Why we love this

This arrangement unlocks one of the repertoire's most colorful and dramatic works for trumpet and organ, an unusual pairing that forces both players into genuine dialogue rather than hierarchy. DiMartino's orchestration choices honor Mussorgsky's harmonic boldness while taking full advantage of what organ registrations can offer in terms of color and texture. The result is a virtuosic showpiece that justifies the trumpet part without reducing the organ to accompaniment.

What to expect

This is monumental music that strides through a gallery of vivid scenes with confidence and grandeur. The organ's brilliant registrations meet the trumpet's lyrical and brilliant possibilities, creating an interplay of color and power that recalls Mussorgsky's original vision of painting with sound. The epic breadth of the work unfolds with purpose, building toward moments of pure spectacle.

Who it's for

Advanced trumpet players seeking substantial solo repertoire with orchestral scope and serious contest or festival credentials. Organists who want to move beyond the traditional solo recital format and collaborate with a brass partner in a musically equal arrangement.

How to get the most out of it

  • Study the organ registration markings carefully; they are integral to the arrangement's drama and often drive the harmonic texture as much as the notes themselves. Coordinate registration changes with the trumpet player so shifts in color land together.
  • Balance the trumpet's volume and vibrato to match the organ's acoustical presence in your performance space. A concert hall requires different dynamics than a smaller recital venue; rehearse in the actual performance location if possible.
  • Shape the melodic lines by understanding which passages are primarily trumpet-driven and which ones feature the organ's character. The epic scope of this piece demands long-phrase thinking and clear architectural planning between both players.
  • Prepare multiple trumpet colors and mute selections; the arrangement calls for variety, and switching tools thoughtfully creates the tonal contrasts Mussorgsky intended.

How to use it

Program this as a centerpiece solo performance at an organ recital, or feature it as a stand-alone trumpet recital item with accompaniment. Its contest and festival appeal makes it ideal for solo competition contexts where you want to demonstrate technical command and musical maturity. It also works as a dramatic conclusion to a brass and keyboard chamber concert, especially when paired with smaller liturgical or classical works.

Skills your students will build

  • Stamina and range across the trumpet's full register in a lengthy, demanding work
  • Balance and blend with organ, including sensitivity to how organ registration affects dynamic relationships
  • Stylistic command of Russian Romantic idiom and harmonic color
  • Interpretation of a multi-movement narrative structure within a single piece
  • Use of varied mute techniques and trumpet colors for sectional contrast
  • Ensemble communication and coordination with a keyboard partner across frequent registration and tonal shifts

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