Picture a day like this (Limited Edition Full Score) Cover Image

Picture a day like this (Limited Edition Full Score): Full Orchestra Full Score

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Picture a day like this (Limited Edition Full Score) Cover Image

Picture a day like this (Limited Edition Full Score): Full Orchestra Full Score

By George Benjamin and Martin Crimp

Item: 12-057154309X

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Description
Picture a Day Like This is the fourth operatic collaboration between George Benjamin and Martin Crimp, whose acclaimed partnership produced Written on Skin, Lessons in Love and Violence, and Into the Little Hill. This limited edition of the full score is one of only 150, presented in a cloth-bound hard cover. It is signed by George Benjamin and Martin Crimp and includes facsimile reproductions of pages from the manuscript, sketches by Benjamin and Crimp, and a photograph of Benjamin, Crimp, and directors Daniel Jeanneteau and Marie-Christine Soma in rehearsal at the Aix-en-Provence Festival.

In this bittersweet fable of grief and renewal. Benjamin and Crimp tell the story of a woman who has lost her child: if, before nightfall, she meets one truly happy person and cuts a button from their sleeve, her child will live again. In her search she meets a pair of lovers, a composer and their assistant, an artisan, collector, and, in a beautiful garden, the mysterious Zabelle.

"Benjamin proves with this taut, sharp miniature that he is the finest opera composer of today…a work of depth of feeling, humanistic artistry, and expressive rigor…a drama that is miraculously condensed."
-- Süddeutsche Zeitung (Reinhard J. Brembeck) 9 July 2023

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Additional Details
Publisher: Faber Music
Page Count: 112
ISBN10: 0-571-54309-X
ISBN13: 978-0-571-54309-0
UPC: 9780571543090
SKU: 12-057154309X

More about this title

About the Composer: George Benjamin

George Benjamin is a British composer whose work has fundamentally shaped contemporary opera and orchestral music. His meticulous approach to orchestration and his ability to craft psychologically complex narratives through music have earned him international recognition, including a Grammy Award and a position as Professor of Composition at King's College London. Benjamin's collaborations with librettist Martin Crimp stand among the most significant operatic partnerships of the 21st century, each work deepening their shared commitment to emotional precision and formal innovation.

Why we love this

Benjamin and Crimp's fourth collaboration distills profound emotional territory into a contained, intensely focused work. The critical recognition this score has received reflects not just the depth of the music but its efficiency, every gesture earning its place; this is opera writing at the highest level of craft. For institutions with advanced ensembles and singers capable of navigating contemporary vocal writing, the opportunity to work with a limited edition, signed full score creates an extraordinary educational and artistic moment.

What to expect

The score carries an almost chamber-like intimacy despite its full orchestral palette, with long arcs of restrained orchestration punctuated by moments of sudden expressive intensity. The musical landscape mirrors the fable's emotional terrain, moving between the sparse and luminous, creating an atmosphere of quiet searching and unexpected moments of beauty.

Who it's for

Advanced amateur and professional orchestras with the instrumentation and ensemble stability to sustain contemporary opera; companies programming new or recent work; conductors and institutions seeking to deepen engagement with 21st-century operatic writing at its most ambitious.

How to get the most out of it

  • Study the facsimile manuscript pages included in this edition before rehearsals begin; Benjamin's notation and revisions reveal his compositional thinking and help conductors understand the intentionality behind textures that may initially seem sparse or unconventional.
  • Attend to the role of silence and pacing as active musical elements rather than gaps; Crimp's libretto unfolds slowly, and Benjamin's orchestration mirrors this deliberation, requiring patience and precision from the ensemble.
  • Build strong communication with your soloists around the relationship between vocal line and orchestral color; Benjamin writes for singers with operatic training but expects orchestral players to understand how their work supports rather than competes with the voice.
  • Conduct separate rehearsals for sections handling minimal material; players with sparse parts need clarity about ensemble function and timing as much as those with active lines.

How to use it

This work functions as a centerpiece for a festival or season exploring contemporary operatic writing, where its length and scope allow for meaningful dramatic and musical development. It also pairs well in mixed concert programming with orchestral works by Benjamin or his contemporaries, allowing audiences to experience the range of his compositional language across genres.

Skills your students will build

  • Reading and conducting contemporary vocal and orchestral scores with unconventional texture and pacing
  • Interpreting minimal but intentional instrumental writing to support operatic narrative
  • Coordinating vocal soloists with full orchestral ensembles in work requiring sustained dramatic focus
  • Understanding the relationship between libretto and musical structure in contemporary opera

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