Pick Up the Pieces Cover Image

Pick Up the Pieces: SoundTrax Digital Audio Download

$24.95 USD
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Pick Up the Pieces Cover Image

Pick Up the Pieces: SoundTrax Digital Audio Download

By Roger Ball, Malcolm Duncan, Alan Gorrie, Hamish Stuart, Robbie McIntosh, and Owen McIntyre / arr. Jay Althouse

Item: 00-A-00015148

$24.95
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015148

More about this title

About the Composer: Roger Ball

Roger Ball is a Scottish keyboardist and composer best known as a founding member of Average White Band, the funk and soul group that defined much of the 1970s pop and R&B landscape. His work as a composer and arranger has shaped countless pop standards, blending sophisticated harmonic sensibilities with infectious groove. Ball's contributions to popular music education have made his compositions accessible teaching tools for choirs seeking authentic pop and funk repertoire.

Why we love this

Jay Althouse's arrangement captures the infectious funk-soul pocket of the original while making the voicing work for mixed choirs without sacrificing groove. The recorded accompaniment locks in the rhythm section so singers can focus on the signature syncopation and vocal lines that made this a radio staple, giving your ensemble permission to sound contemporary and confident without overthinking the arrangement.

What to expect

Irresistible. The piece radiates the funky warmth of 1970s soul, with enough harmonic sophistication to keep musicians engaged and enough rhythmic drive to make audiences move. Singing it feels like stepping into a professional recording session.

Who it's for

Mixed choirs and vocal ensembles looking to program contemporary pop-funk repertoire that has staying power. This arrangement works equally well in concert settings where you want to shift the energy, in pops shows, or in competitions where authentic groove speaks louder than traditional classical polish.

How to get the most out of it

  • Anchor the rhythm section parts to the recorded accompaniment in rehearsals; the backbeat and kick drum pattern is essential to maintaining the funk feel, so lock in early and often.
  • Shape the vocal melody with the syncopation rather than against it. Resist over-legit singing; this piece asks for a lighter, more rhythmic tone that sits on top of the groove.
  • Balance the background vocals so they support but don't overshadow the lead line. Blend matters here, but so does the sense that each voice part is active and grooving.

How to use it

Pair this with other pop or soul standards to program an entire set with strong thematic cohesion, or use it as an energy spike in a traditional concert to remind audiences that your choir can command contemporary repertoire. The recorded accompaniment means you can confidently perform it even in venues where you can't bring a full rhythm section.

Skills your students will build

  • Rhythmic precision in syncopated vocal lines
  • Blending vocal parts in a funk-soul idiom
  • Singing with rhythmic independence from the main beat
  • Ensemble communication across multiple vocal layers

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