Pick a Bale o' Cotton: SSA Choral Octavo
American Folk Song / arr. Charles Terhune
Item: 00-PO-0000755
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About the Arranger: Charles Terhune

Charles Terhune spent years directing choral programs in the Rochester, New York area before stepping back from full-time teaching. His publications span the late 1980s, with his work appearing primarily through Columbia Pictures Publications, where he developed a reputation for creative arrangements of familiar material.
In more recent years, Terhune has focused his musical energies on Scottish repertoire and performance with Lochanside. His return to arranging choral music reflects a desire to reconnect with the singers and directors he worked alongside throughout his career.
Why we love this
Terhune takes a folk standard and transforms it into something unexpectedly fresh with harmonizations that will surprise your singers while remaining accessible. The patter-singing and body percussion elements give treble choirs a chance to show off rhythmic precision and personality, not just blend and tone quality. It's the kind of arrangement that feels collaborative between the singers and the score, making rehearsals genuinely fun.
What to expect
Infectious and playful, with moments of rhythmic precision that feel almost vaudeville. The arrangement bounces along with hand claps and snaps that ground the energy, while unexpected harmonic turns keep listeners from settling into autopilot. It's celebratory without being saccharine, and spirited without losing musicality.
Who it's for
SSA choirs looking for material that energizes rehearsals and showcases both vocal control and personality. This works equally well for community choruses, youth choirs, and high school ensembles that want a folk arrangement with genuine character. Singers at all levels appreciate the straightforward ranges and the clear payoff when everything locks together.
How to get the most out of it
- Establish the finger snaps and hand claps as rhythmic anchors during early rehearsals. Lock these patterns before layering in the vocal lines, so singers understand where they sit within the larger pulse.
- Shape the dynamic contrasts intentionally. Each shift should feel deliberate, not accidental, which means marking them clearly in the score and revisiting them in several rehearsals before performance.
- Articulate the patter-singing sections with crisp, uniform diction across all parts. Record a rehearsal and listen back to catch any syllables that aren't landing together.
- Bring energy to the lesser-known verses. Many singers will assume they know this song already, so let those fresh lyrics surprise them and invite that playfulness into their interpretation.
How to use it
This piece thrives in the first half of a concert, where it breaks tension and invites the audience into the choir's world. It pairs beautifully alongside other folk arrangements or American classics, and it's an ideal closer for a lighter concert season. Consider programming it when you want to showcase your singers' rhythmic vitality and dynamic range rather than legit vocal weight.
Skills your students will build
- Executing rhythmic precision in hand-clapped and finger-snapped accompaniment patterns
- Layering unexpected harmonies over a familiar melodic framework
- Singing patter-singing passages with unified diction and energy
- Responding to dynamic contrasts and shaping them musically